"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Si acaba siendo así, me pillaré una edición guapi en bluray... Lo que ahorre en el formato, lo gastaré en packaging.
Si el proyecto sigue siendo completamente outsider, es posible que tengan problemas técnicos (poco probable) por estar fuera del sistema de estudios, y el soporte que ofrecen, o que tengan problemas de licencias y costes para estas tecnologías (más probable).
Es posible que el coste de licencias para un proyecto individual sea mucho más caro que para un proyecto de estudio, que seguramente tendrán licenciadas tarifas planas o algo similar.
Peinabombillas
Del it. peinar, bombilla.
1. adj. Dícese de aquel hombre que realiza actividades absurdas o faltas de razonamiento.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
También cabe la posibilidad de que a Coppola no le interese el HDR, y lo que hemos visto hasta ahora haya sido una obligación contractual, impuesta por parte de las distribuidoras correspondientes. Ahora que va a su bola, puede estar en contra, o incluso le puede dar exactamente igual.
No digo que haya sucedido así. Pero la posibilidad, existe.
Pero Apocalypse Now es de Coppola desde hace muchos años (legalmente, digo), y el UHD lleva su HDR y su Atmos.
En fin, misterios misteriosos.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
The Italian 4K of Megalopolis is in SDR, confirmed directly from Eagle Pictures.
Pues nada.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Para el 26 de Febrero, en Italia..
Parece definitivo porque ahora conocemos detalles como el contenido extra de la edición. Y además específica que si que llevará HDR.
Extras:
Audiocomentario de Francis Ford Coppola.
Introducción a la película por Francis Ford Coppola.
Detrás de las cámaras.
Documental: La utopía de la Conversación.
Documental: Un viaje de 40 años.
Última edición por Branagh/Doyle; 15/01/2025 a las 16:04
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Ahora sí. Pa la saca!
Peinabombillas
Del it. peinar, bombilla.
1. adj. Dícese de aquel hombre que realiza actividades absurdas o faltas de razonamiento.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.