La Pacte (distribuidor de la película en Francia) ya anuncia que habrá un steelbook 4K para el 29 de enero de 2025.
Reservas abiertas en Amazon FR:
https://www.amazon.fr/dp/B0DHW5NP1P?...ogi&th=1&psc=1
![]()
La Pacte (distribuidor de la película en Francia) ya anuncia que habrá un steelbook 4K para el 29 de enero de 2025.
Reservas abiertas en Amazon FR:
https://www.amazon.fr/dp/B0DHW5NP1P?...ogi&th=1&psc=1
![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Lionsgate anuncia edición USA en 4K UHD también para la misma fecha. Steelbook. Ya se puede reservar en Amazon.com.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
En España parece que nos quedamos sin edición física. Habrá que estar atentos a los subtítulos de ediciones foráneas...
Última edición por Branagh/Doyle; 04/10/2024 a las 22:11 Razón: Errata
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.