Que pinta tiene. Escaneo a 4K del negativo original, según dvdbeaver.
Que pinta tiene. Escaneo a 4K del negativo original, según dvdbeaver.
Última edición por Branagh/Doyle; 03/04/2022 a las 13:45 Razón: Añadidas más capturas
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Lástima que no se hayan animado a sacarla por aquí, porque hubiera recomprado seguro, pese a tenerla en DVD y en Bluray.
"Como te ves, yo me ví, como me ves te verás. Todo acaba en esto aquí. Piénsalo y no pecarás."
Osario de Wamba
Esto es una edición en condiciones y lo demás es tontería. No solo hay extras nuevos, sino que son jugosísimos, algo nada habitual.
New 4K restoration from the original camera negatives by Sony Pictures Entertainment
4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible)
Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio
Optional English subtitles for the deaf and hard of hearing
Brand new audio commentary by film historians Michael Brooke and Johnny Mains
Brand new interview with composer Patrick Doyle
Brand new interview with costumer designer James Acheson
Brand new interview with make-up designer Daniel Parker
Mary Shelley and The Creation of a Monster, a brand new documentary featurette on the origins and evolution of the Frankenstein story, featuring Gothic specialists David Pirie, Jonathan Rigby and Stephen Volk
Dissecting Mary Shelley’s Frankenstein, a brand new featurette with David Pirie, Jonathan Rigby and Stephen Volk on the differences between the novel and Kenneth Branagh’s screen adaptation
Frankenstein: A Liberal Adaptation from Mrs. Shelley’s Famous Story for Edison Production (1910): The first screen adaptation of Shelley’s story in a 2K restoration by the Library of Congress, with music by Donald Sosin
Original trailers
Última edición por Branagh/Doyle; 03/04/2022 a las 13:41
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
BD Info:
Disc Size: 99,982,074,051 bytes
Protection: AACS2
Extras: Ultra HD
BDInfo: 0.7.5.9
PLAYLIST REPORT:
Name: 00001.MPLS
Length: 2:03:13.386 (h:m:s.ms)
Size: 79,523,727,360 bytes
Total Bitrate: 86.05 Mbps
(*) Indicates included stream hidden by this playlist.
VIDEO:
Codec Bitrate Description
----- ------- -----------
MPEG-H HEVC Video 75086 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
* MPEG-H HEVC Video 80 kbps (0.11%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision MEL / BT.2020
AUDIO:
Codec Language Bitrate Description
----- -------- ------- -----------
DTS-HD Master Audio English 3899 kbps 5.1 / 48 kHz / 3899 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
Dolby Digital Audio English 640 kbps 2.0 / 48 kHz / 640 kbps
SUBTITLES:
Codec Language Bitrate Description
----- -------- ------- -----------
Presentation Graphics English 22.671 kbps
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Review en Blu-ray.com:
https://www.blu-ray.com/movies/Mary-...307478/#Review
Un saludo.
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Mary Shelley's Frankenstein was restored in 4K by Sony Pictures Entertainment. 4K scanning by Prasad Corporation, Burbank from 35mm Original Picture Negative.
Digital Image Restoration by Prasad Corporation, India. HDR color grading by colorist Trent Johnson at Roundabout Entertainment in Santa Monica.
Audio conform at Sony Pictures Entertainment, sourced from the original 35mm stereo magnetic tracks, upmixed to 5.1 by Chace Audio, in 2009. Restoration supervised by Rita Belda for SPE, with color approval by director Kenneth Branagh.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
sabemos algo de subtitulos, al menos en latino?