El póster para los cines Dolby es una pasada.
"The trick is not minding that it hurts"
Se les han colado dos Flash en esta película de Batman.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
No vendamos la.piel del oso antes de cazarlo...
"The trick is not minding that it hurts"
Lo que parece es que existe una tendencia clara a menospreciar el film de partida, quizá porque "se huele miedo" a que Mueschietti haya pegado un petardazo gordo y se venga algo tan grande que pueda llegar a provocar cortocircuitos en cierto público que esté esperando lapidarla.
Not your case, of course.
Última edición por horner; 24/05/2023 a las 17:41
"The trick is not minding that it hurts"
...Y si.
Por aquí huelo MIEDO.
"The trick is not minding that it hurts"
Pues parece ser que Muschietti ha confirmado...
Spoiler:
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Última edición por Quaik; 24/05/2023 a las 20:43
¡Maribeeeeel!
GUAPA (y pedazo de actriz).
Eh... perdón.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Si ya te conocemos Branagh, he hecho la coña porque hay otro forero que se pone así también con otra actriz famosa y le tachan de bot
Por cierto con respecto al Spoiler de Quaik es algo que ya se rumoreaba desde hace tiempo, pero es que hay tantos cameos que se han rumoreado, seguro que en la película nos llevamos bastantes sorpresas.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Me pregunto quién será ese forero del que hablan, you know.
I LOVE Helen Mirren❤️♥️❤️♥️❤️♥️❤️
¿No había una leyenda urbana que afirmaba que Maribel andaba por este foro?
Pregunto.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.