No por ya conocido, deja de ser... ¿curioso? ¿gracioso?:
https://www.comicbookmovie.com/sci-f...-torch-a158286
Básicamente: a Ford se la trae flojísima lo que pueda pasar con Star Wars (y de hecho, lo que pasara antes).
Honestidad brutal... Claro, que también se puede ser honesto cuando ya no tienes que preocuparte económicamente por nada (pero lo dicho, se agradece el ataque de honestidad).
Cada vez que veo a Ford en algún evento relacionado con Star Wars le palpo el fingimiento y aguante. Hablando claro, que le veo hasta los cojones ya de estas movidas. Recientemente me refiero a la estrella en el Paseo de la Fama a Hamill. Se ve que estuvo ahí por Hamill y Lucas.
Alec Guinness lo llevaba peor...
Y lo de Hamill es de admiración. Como soporta el peso el hombre con esta franquicia es todo lo contrario a Ford.
Se le ve muy alivianado
Con la misma debiò seguir la senda de la carpintería que seguro que le era mas gratificante sobre todo económicamente![]()
Spoiler:
Doctor diplomado en infancias violadas cinematográficas y believers Lucasianos.
Dentro de mil años tú no existirás, ni nada se recordará de ti. De Star Wars y George Lucas, probablemente sí.
"Ahora la gente del cine ya no dice "miren qué buenas películas hacemos" sino "miren que buenas personas somos"". (Bill Maher)
Remastered Star Wars Original Motion Picture Soundtracks To Be Released On May 4
http://www.thebeardedtrio.com/2018/0...otion.html?m=1
¿Cúantas ediciones van ya? ...bueno, la verdad es que nunca serán suficientes ¿cierto?![]()
No entiendo la actitud hipócrita de Ford: si tanto odia el personaje, ¿para qué acepta volver en "Force Awakens" aparte del cheque, claro? ¿Para cerrar de una vez por todas su vieja demanda de matar a Solo? Pues no me vale, si no quieres saber más de Star Wars me parece bien, pero sé consecuente con tus actos y renuncia a volver. No lo entiendo, y eso que siempre me ha caído bien, pero este desprecio a los fans tan gratuito no me entra en la cabeza.
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
GRANDE FORD.
Has recobrado todo el respeto que te perdí en TFA.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"Dejé morir a mi padre porque confiaba en él"¡Claro que sí, campeón! Menudo monguer estás hecho...
Mark Hamill está que lo tira con su sinceridad extrema.
De los creadores de "TFA es meh y deberían haber tirado por las historias que propuso Lucas" y "The Last Jedi es un completo horror, sinceramente", llega "he visto el Imperio Contraataca recientemente con mi hijo y me he dado cuenta de una modificación que no me ha gustado nada de nada, me gustaría tener la opción de ver los montajes originales en HD, pero cómo George es el AUTOR, el puede hacer lo que le plazca y nuestros deseos son irrelevantes.
Bravo.
Why Luke would scream in horror after having a true moment of Jedi zen and choosing to drop is a question that remains unanswered. Making the scream even more ludicrous is the fact that it apparently is recycled from the Emperor’s scream from Return of the Jedi after being tossed into by Vader to save his son. All of which perhaps explains why that scream ultimately disappeared as mysteriously as it appeared in the first place, being removed from home video editions of the film after Lucas thought better of it.
But what does the person who had the scream added to his scene think about it? We asked Luke Skywalker himself, Mark Hamill, exactly that when he stopped by Entertainment Weekly Radio studios (SiriusXM, channel 105) to appear on EW Morning Live on Tuesday morning. What did he make of the egregious change when it was first put in?
“I had no idea of this,” says Hamill about when the scream was put in back in 1997. “My son watches them. I haven’t seen this since they were in the theaters. He said, ‘Dad, you know they put a scream where you let go?’ And the whole idea was, rather than joining him, you see him become very calm and he just lets go. He commits suicide, in effect. So to put a scream in?” Hamill also confirms that it is indeed not his voice coming out of his mouth during the drop. “I didn’t record it. I don’t know if they had a library of screams or another actor came in.”
Suffice it to say, Hamill was not a fan of the audible addition. “It never came to the point where I challenged George on it,” says Hamill, “but that’s really going in and interfering with the performance. And I guess he got enough negative feedback that he took it out. But it makes no sense. Irvin Kershner and I discussed it. That was the director, and he says, ‘You have that choice. He’s holding out his hand. He’s going to rescue you, but you make that choice. He’s stressed and then all of a sudden he becomes very calm and closes his eyes and just lets go.’”
Of course, Hamill does acknowledge this is only his opinion and the creation is ultimately the creator’s to control, even if he does not personally agree with it. “You know, it’s one of those things. I can argue both ways because it’s George’s property. It’s his to tinker with as sees fit. But like my son and a lot of fans says, we’d love to see the original, pre-fixes. Just the way it was in 1977.”
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Spoiler:
Doctor diplomado en infancias violadas cinematográficas y believers Lucasianos.
Dentro de mil años tú no existirás, ni nada se recordará de ti. De Star Wars y George Lucas, probablemente sí.
"Ahora la gente del cine ya no dice "miren qué buenas películas hacemos" sino "miren que buenas personas somos"". (Bill Maher)
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
Ayer vi parte de Attack of the Clones. Personajes y secuencias notables en el haber. Personajes y secuencias infantiloides en el debe.
La llegada de Dooku a Coruscant, y el encuentro con su maestro, está indudablemente en el haber. ¡Cómo mola!
¡Qué maravilla! ¡Cuántos suicidas no depondrían su actitud si vieran esto antes de matarse!
Tristemente y como diría Torrente, hemos pasado a esto: "¡Chinita! ¡Chinita! ¡Chinita ven aquí! ¿Qué mierda es esta?"
MAY THE 4TH BE WITH YOU
Say something ‘bout the motherf*&%ng prequels, bitch!
Feliz “May the 4th Be With You”![]()
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Entrevista de Leonard Maltin a George Lucas en 1995:
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Para los fans de Arrested Development esto es oro puro. Y claro, Ron Howard no podía perdérselo ahora que forma parte de la familia:
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Cuándo dijo tito George que iba a dirigir la primera de las precuelas y dejaría las otras en manos de otros directores, me ilusioné con que uno de ellos fuera Spielberg, y el otro quizás Ron Howard, por haber hecho Willow. Al final Lucas dirigió las tres, Spielberg colaboró en la tercera y Howard me parece de los más insulso, sobre todo con adaptaciones de Dan Brown y guiones de Akiva Goldman, y al final ha dirigido una peli de Star Wars de penalty. A ver que tal ha quedado.
Desde Battery Park hasta más allá de Harlem(ignoro la veracidad de esto; supongo que han tomado las medidas oficiales)
![]()
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)