Tema: Spencer (Pablo Larraín, 2021)

Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________

CLAUDIO: "Lady, as you are mine, I am yours"

_______________________

EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.

"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

John Ottman.

Última edición por Dr. Morbius; 27/01/2021 a las 15:48

Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.

Última edición por Tripley; 11/11/2021 a las 22:19

Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________

CLAUDIO: "Lady, as you are mine, I am yours"

_______________________

EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

John Ottman.