Última edición por Branagh/Doyle; 29/10/2024 a las 10:23
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Otro más que se ha sumado al plan Premiun 50%.
Aún no he entrado para revisar contenido. Como curiosidad, he revisado el resto de planes y no entiendo qué aporta estar en el de 6 meses o en el de 12, el precio es el mismo
Supongo que el master que tienen es diferente. Espero que más pronto que tarde cambien el audio, porque es una lástima. Es quizá lo más flojo de la plataforma. Entiendo que habrá muchísima gente que sude de todo esto, si hasta se ven las pelis en los móviles, pero unos mínimos...que no estamos en el año 2000.
En Fire TV salta el HDR, en Apple TV todavía no.
Aquí hablan sobre los problemas de HDR con la app y AppleTV y Chromecast...es algo relacionado con la app, que supongo tendrán que actualizar:
https://www.flatpanelshd.com/news.ph...&id=1730196523
Vamos, lo que vengo diciendo...las apps internas de las teles...However, the app's dynamic range matching (SDR/HDR10) is not currently working as intended. For example, on Apple TV 4K with dynamic range matching enabled, SkyShowtime does not switch to HDR10 when HDR content starts playing. Instead, the video stream briefly signals HDR10 but remains in SDR.
When the Apple TV 4K is set to HDR10 output, with dynamic range matching enabled, the app correctly requests HDR10 content from SkyShowtime's servers, as shown in the photo. This is not optimal so an app update is required to resolve the issue.
SkyShowtime's app does not switch between SDR and HDR, or adjust frame rates, on Chromecast with Google TV either.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Contenido en 4K disponible a día de hoy en la plataforma:
4K HDR10:
2 Fast 2 Furious
Bob Marley: One Love
Fast & Furious
Fast & Furious 6
Fast Five
Beverly Hills Cop
Gangs of London season 2
Gladiator
Indiana Jones and the Last Crusade
Indiana Jones and the Raiders of the Lost Ark
Indiana Jones and the Temple of Doom
Jack Reacher
Jack Reacher: Never Go Back
Jurassic Park
Jurassic Park 3
Jurassic Park: The Lost World
Jurassic World
Jurassic World: Fallen Kingdom
Knuckles
Mission: Impossible (1996)
Mission: Impossible 2
Mission: Impossible 3
Mission: Impossible – Dead Reckoning
Mission: Impossible – Fallout
Mission: Impossible – Ghost Protocol
Mission: Impossible – Rogue Nation
Paw Patrol The Mighty Movie
Scream
Shrek
Shrek the Third
Star Trek (2009)
Star Trek: Strange New Worlds – season 2
Star Trek Beyond
The Fate of the Furious
The Mummy Returns
The Tattooist of Auschwitz
Back to the Future
Back to the Future 3
Top Gun
Transformers: Age of Extinction
Transformers: Revenge of the Fallen
Trolls
Trolls: Band Together
War of the Worlds
4K SDR:
A Gentleman in Moscow – season 1
Apples Never Fall
Billions – season 5
Concordia – season 1
The Holdovers
Fellow Travelers – season 1
Frasier – season 2
Halo – seasons 1-2
Migration
Las Pelotaris 1926 – season 1
Lawmen: Bass Reeves – season 1
Mary & George – season 1
Mayor of Kingstown
Minority Report
Oppenheimer
Poker Face
Saving Private Ryan
Shrek 2
Special Ops: Lioness – season 2
Ted
The Fast & The Furious Tokyo Drift
Transformers 1
Transformers 3
Tulsa King – season 2
World War Z
Yellowstone – seasons 1-5
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Ya me conmuta a HDR en los títulos que he probado (Gladiator, la primera entrega de Misión Imposible), en la app del Apple TV.
Dado que la app no ha vuelto a actualizarse, deduzco que están toqueteando cosas a nivel interno.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿El audio sigue siendo 2.0?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
El audio de Mision Imposible Sentencia Mortal en el Chromecast con GoogleTV es en 5.1, al menos en resolución HD.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Branagh/doyle, yo me meto donde dices y me viene plan estandar mensual a 3,99 al mes.
No me han mandado ningún mail para pasarme al nuevo plan y tenía desde el principio el 50%
Que he de hacer para pasar al nuevo plan en 4k?
gracias
RESUELTO YA: me he metido en la web porque en la app no me aparecia y si le daba al nuevo plan me ponian el precio sin descuento, pero en un link un poco escondido, he encontrado el nuevo plan manteniendo el descuento y pagando 6,49 ahora.
Son solo dos euros y medio mas al mes y a mi me merece la pena una plataforma a ese precio y con 4k. Si fuese como netflix y su precio me lo pensaba
Última edición por george_crow; 30/10/2024 a las 01:47
TV: Led Sony HX 920 46"
BDP Sony S 790
Barra sonido Yamaha YSP 2200
JP4ever
Supongo que ya muchos teníais la oferta del 50% para siempre, pero la novedad es que ahora permite más pantallas, con 4k, pudiendo compartir por 2,5€ más. Es así? Porque entiendo que la normal al 50% sigue igual, no? Gracias!
Muy contento con Yellowstone en 4K
Paisajes impresionantes en 4K a pesar de SDR, nada de artefactos de compresión y se nota mucho la diferencia con la versión HD que había visto.
Ojalá la pongan en HDR o DV.
Me pasa algo curioso, porque si dentro de la app del Apple TV me voy a "Cuenta", pone "plan premium mensual: 12,99", pero me han cobrado 6,49 (lo he comprobado), y en la web pone " tu plan: premium mensual con 50% de descuento para siempre: 6,49"
Un bug de la interfaz, probablemente.
Última edición por Branagh/Doyle; 30/10/2024 a las 10:23
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.