Yo la veo doblada y creo que si especifican donde se desarrolla la serie, aunque el lugar exacto no me acuerdo
Por el ejemplo el padre de Otis dicen que vive en Estados Unidos
Yo la veo doblada y creo que si especifican donde se desarrolla la serie, aunque el lugar exacto no me acuerdo
Por el ejemplo el padre de Otis dicen que vive en Estados Unidos
"Mi diablo ha bailado con su demonio y la canción del violinista está lejos de acabar" Dexter
Una serie estupenda en la que la segunda temporada mantiene el nivel y resulta igual de entretenida. Espero que haya una tercera temporada.
https://metro.co.uk/2020/01/17/sex-e...lmed-12077047/
Parece ser que los guionistas juegan a que sea el espectador quien decida si es America o Reino Unido![]()
"Draco dormiens nunquam titillandus"
Es en UK. Pero si en la serie Otis dice que su padre vive en USA
claramente es en UK
Si que es en Uk, pero no especifican, y el padre vive en EEUU, pero tampoco especifican donde... Sorry si la he liado con mi comentario ambiguo.![]()
"Vive y deja Vivir"
"Estamos la primera mitad de nuestra vida, machacando nuestro cuerpo, haciéndole sufrir.... y la otra mitad, intentando solucionarlo...."
Sí, no especifican en que lugar de UK es, pero es allí claramente
El artículo cuenta que han querido darle un toque ambiguo a todo, lo que se traduce, o yo lo percibo así, como que no han querido hacerlo muy inglés, para que de un lado y otro no lo vean tan foráneo.
Pero vaya, como decía, sólo puede ser UK si todos hablan con acento británico. Los bosques, autobuses, ironías y sobre todo: esa Maive será inglesa, o francesa si partimos de la actriz, pero lo que es seguro es que yankee no es. Es TAN europea...
La culpa es mía de hecho: es mi cruzada para que todos escuchen esa voz tan... Tan, tan, de Maive/Emma Mackey![]()
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Es cierto que Maeve, desprende naturalidad, los actores mas representativos están bastante "naturales" pero ella sobresale la verdad.
"Vive y deja Vivir"
"Estamos la primera mitad de nuestra vida, machacando nuestro cuerpo, haciéndole sufrir.... y la otra mitad, intentando solucionarlo...."
una de las cosas que justamente más valoro en la serie es que sea la de un grupo de adolescentes ingleses y no americanos. Las últimas ya están más que vistas.
Jason Isaacs y Jemima Kirke se unen al reparto de la 3ª Temporada.
![]()
Vista la 3a.
No pongo ni spoilers (hasta el día 17) porque quien sabe quien podría abrir esto e ir por redes a joder el personal. Gran temporada, al nivel de las dos anteriores, mejor que la 2a incluso, más emotiva, yendo un paso más allá, ahora son varios los personajes tridimensionales.
Hay algún que otro momento emotivo de buen calado y esta vez sí (no como en la 2a) saben diseñar a nivel de localizaciones e incluso cinemático el entorno de algunas escenas clave.
Ya se puede hablar de ella en redes, embargo levantado, pero por lo menos nosotros publicamos la semana que viene, creo que un artículo sin spoilers y uno con. Que hay de que hablar![]()
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Te leo todo, ya sabes, Synch. Me sacó una sonrisa el artículo sobre la taquilla de Titanic.
PD: Mamón, me metes hype por privado sobre lo que iras reseñando próximamente aquí en el foro pero sin dejar entrever absolutamente nada. (bueno, me comentaste que con algunas cosas "voy a flipar"). Así debe ser, por supuesto.
![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pásate por aquí, Synch. Te he hecho un teaser, verás.![]()
Última edición por Branagh/Doyle; 16/09/2021 a las 21:34
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Una vez sabes que Emma Mackey (Maive), aunque es totalmente bilingüe (ah, cuantas tonterías políticas, territoriales y de trapos de colores soluciona eso), nació en Francia y pasó ahí sus años, es difícil no escuchar un deje (muy leve, eso sí) francés en su voz melosa, y en su pronunciación. Y joder que su cara y su todo, una vez lo piensas, es más francés que británico
(me encanta el acento africano de los padres de Eric)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Synch, click. Verás.![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.