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Re: Prometheus, de Ridley Scott
Atormentado,
Re: Prometheus, de Ridley Scott
Me va a costar Dios y ayuda no caer en la tentación de abrir esos video/spoilers de Emperador y Atormentado...
Tengo que aguantar.
All those moments will be lost in time, like tears in rain.
Re: Prometheus, de Ridley Scott
Iniciado por CaRnAgE
Atormentado,
No sueñes tu vida, vive tu sueño
Re: Prometheus, de Ridley Scott
Ya te digo yo que es verdad. Es parte del SPOILER que solté el otro día y que no quisiste mirar.
No me gusta nada lo que estan haciendo con la promoción, lo están contando todo.
Última edición por Kapital; 02/05/2012 a las 08:02
Re: Prometheus, de Ridley Scott
Sin duda parece que estará muy bien aunque a mi siempre me sigue quedando la duda pero eso de que parezca una película a la antigua usanza no estoy muy de acuerdo.
Viendo el tráiler a 1080p en casa me sigue pareciendo más nuevo que todo lo visto hasta ahora. Los efectos digitales usados con las naves, como los efectos de humo por no decir que lo de los trajes y el modelado de la nave y vehículos parece mucho más nuevo que lo que irá mucho después.
50.000 thousand people used to live here, now it´s a ghost town.
"Our so called leaders prostitution ush to the west, destroyed our culture, our economy, our honor"
Re: Prometheus, de Ridley Scott
Es exactamente lo mismo que pienso yo. A un nivel superior (James Cameron no es Scott, por suerte), un Avatar: mucho envoltorio y poca sustancia. Ojalá me equivoque, pero es lo que iré a buscar al cine.
Re: Prometheus, de Ridley Scott
Visto el percal con los Spoilers no me queda más remedio que abandonar por un tiempo la tirada. Volveré cuando haya visto la peli (13 de Junio, si no sale algo mal) porque ya me he enterado de más cosas de las que me gustaría y no quiero seguir.
Un placer haber leido cosas vuestras y haber compartido cosas con vosotr@s sobre esta peli que nos tiene tan ilusionados.
Lo dicho, hasta pronto.
Saludos.
All those moments will be lost in time, like tears in rain.
Re: Prometheus, de Ridley Scott
Hombre Atormentado. Es muy distinto ver el video a resolución y velocidad normal y la imagen que enseño en su tamaño real, que mostrar una imagen ampliada, con zoom exagerado y con circulito rojo como la que tu nos enseñas. Yo creo que tanto el video como la imagen en sí no contienen ningun spoiler y se pueden ver perfectamente, otra cosa es si ampliamos un plano de forma exagerada y en detalle. Además puede que sea eso que comentas, pero yo no lo veo tan claro. También yo creo que hay muchos más detalles y más claros en otros trailers que ya hemos visto. Hay muchas suposiciones y opiniones pero yo creo que aun no hemos visto nada, y la película nos sorprenderá igualmente.
Buen viaje David8 por cierto.
Y esta noticia que me hace mucha gracia, sobretodo para los que tienen la teoría del retraso de Prometheus por la Eurocopa.
eurovision-spain.com ** | ** Eurovisin le gana la batalla a la Seleccin Espaola de ftbol
Saludos a todos.
Re: Prometheus, de Ridley Scott
No es un partido oficial, es un preparatorio. Si España juega unos cuartos, semis o ni te cuento la final Eurovisión se va a La 2 al 10000% de seguridad.
Última edición por Caním; 02/05/2012 a las 11:44
50.000 thousand people used to live here, now it´s a ghost town.
"Our so called leaders prostitution ush to the west, destroyed our culture, our economy, our honor"
Re: Prometheus, de Ridley Scott
Es verdad, es un preparatorio, pero aún así me hace gracia. Vaya poder que tiene Eurovisión jeje...
Y creo recordar que España no juega el 8 de Junio, no tengo el calendario delante ahora mismo, pero creo que jugaría el 10 o así. Entonces, no había problema para estrenar Prometheus el 8 de Junio, se puede ver el día del estreno perfectamente.
Re: Prometheus, de Ridley Scott
Yo no sé si será por ese motivo, puede que no porque en otros sitios con buena afición por el fútbol como Francia estrenan también en Junio .
Eurovisión lo parezca o no tiene mucho poder de convocatoria ante el televisor, algo así como lo del sálvame que nadie lo ve pero luego tiene unas audiencias que salvan (nunca mejor dicho) a Telecinco de quebrar.
50.000 thousand people used to live here, now it´s a ghost town.
"Our so called leaders prostitution ush to the west, destroyed our culture, our economy, our honor"
Re: Prometheus, de Ridley Scott
Se te echará de menos.. sniff... sniff.
Buen viaje ... "The adventure begins".
Re: Prometheus, de Ridley Scott
No sueñes tu vida, vive tu sueño
Re: Prometheus, de Ridley Scott
Re: Prometheus, de Ridley Scott
Créditos completos para Prometheus:
https://skydrive.live.com/view.aspx?...ba378&app=Word
Al parecer hay un tema de Jerry Goldsmith de Alien en la OST de Prometheus.
Re: Prometheus, de Ridley Scott
IT is the year 2089 when Elizabeth Shaw, an archaeologist with a spiritual bent, chips through a wall in a cave in the bleak mountains of Scotland and finds out that the human race is not alone in the universe. Illuminated by her torchlight is a 35,000-year-old painting of people worshiping a giant, who is pointing to a small cluster of stars.
“I think they want us to come and find them,” she says, eyes alight.
Feel free to start screaming anytime. The words “we’re not alone” can be a doorway to either salvation or terror.
That is the knife edge on which the British director Ridley Scott has balanced “Prometheus,” his long-awaited return to the universe without mercy or comfort that he first created in the 1979 movie “Alien.”
“Prometheus,” due June 8 from 20th Century Fox, is the first science fiction directed by Mr. Scott since “Blade Runner” in 1982 and the first he has made in 3-D. The movie, with a screenplay by Jon Spaihts and Damon Lindelof, follows the adventures of the archaeologist Shaw, played by Noomi Rapace, who gained fame as the girl with the dragon tattoo in the Swedish film trilogy. Aboard the hubristically named spaceship Prometheus she uses an ancient star map to guide her to an obscure moon of an obscure planet in the hope of meeting her maker.
Joining her on this cosmic cruise are, among others, Charlize Theron as a chilly corporate executive, Meredith Vickers, with mysterious motives; Michael Fassbender as David, an android of equally ambiguous talents and agenda; and Logan Marshall-Green as Holloway, Shaw’s colleague and love interest. Guy Pearce also appears in various guises as Peter Weyland, the leader of an interplanetary conglomerate that owns the ship and much of the rest of the galaxy.
Exactly what happens out there, neither Mr. Scott nor anyone else will say. Web sites have been devoted to frame-by-frame analyses of trailers, images and whatever clues Mr. Scott and cast members have let drop.
Among the viral goodies out there is the Web site of Weyland Industries (837.53 million employees), with an ad for its new line of David androids and a 2023 TED talk by Weyland in which he rattles off technological achievements, including the ability to make robots indistinguishable from humans. “We are the gods now,” he announces.
Uh oh.
It’s not much of a spoiler to say that things don’t go well. In Greek mythology Prometheus, after all, was chained to a rock and had his liver eternally pecked out for the crime of stealing fire from the gods and giving it to humans.
On the phone from London, where the film was mostly shot, Mr. Scott described it as “ ‘2001’ on steroids.” He said he liked Stanley Kubrick’s notion of “a police agency in the universe that will give a ball of dirt a kick.”
“God doesn’t hate us,” Mr. Scott added ominously. “But God could be disappointed in us — like children.”
The star map leads to the same planet that the ship in “Alien” will visit 30 years later, but Mr. Scott said “Prometheus” was not a prequel to that 1979 movie, which was a kind of haunted-house story featuring the crew of a space freighter being picked off by a monster that makes its debut by bursting out of someone’s belly. Moviegoers, he has said teasingly, will be able to discern the DNA of “Alien” in the new movie, but whether he means the gritty dystopian setting or the gooey stuff of life itself — or both — time will tell.
After five sequels and a series of comic books, Mr. Scott said he figured the franchise was finished, comparing the monster with a joke gone flat from too many tellings. Three years ago, eager to get back to science fiction, he thought there might be a way back into the “Alien” world, to “rescue” the franchise, as he put, it by picking up a loose thread from the original movie that had been neglected.
In the first film the unlucky freighter crew finds a derelict spaceship, and in the pilot’s chair is a giant humanoid being with an exploded chest. In the very next scene a strange egg opens up and wraps itself around the face of a crew member, played by John Hurt. “Once John Hurt looks into that egg, the film took off,” Mr. Scott said. But he was surprised nobody ever asked him about the “space jockey,” referring to the being in the pilot’s chair, which he called a “very obvious and glaring question.”
“Who was he? Why did he land there? Was he in trouble?” Mr. Scott wondered. And why was he carrying a cargo of such “wicked biotechnology”? Mr. Scott acknowledged that he himself did not know the answers and thought that James Cameron, who directed the first sequel, “Aliens,” would address the question. “Jim is more of a logician.”
But the enigma remained. He pitched the idea to Fox, but in the process of developing it, he said, “a grand new mythology” emerged.
That mythology is Mr. Scott’s own particular mash-up of high and low culture. On the one hand, he said, he was inspired by the current quest to look for life beyond Earth, under the sands of Mars and in the oceans beneath the ice covering Jupiter’s moon Europa.
“I think, wow, this is a pretty useful basis for my film,” Mr. Scott recalled.
At the other end of the credibility scale is the pop archaeologist Erich von Daniken, who argued in books like his 1968 “Chariots of the Gods” that there was archaeological evidence in the form of things like the Nazca lines in Peru that we had received visitors from outer space. His claims gained no traction among professional archaeologists, but, Mr. Scott said, “to me it all made sense.”
In news conferences and in conversation Mr. Scott has evinced sympathy for the notion — popular in some circles, including the Vatican — that it is almost “mathematically impossible” for life on Earth to have gotten to where it is today without help.
“It is so enormously irrational that we can do this,” he went on, referring to our conversation — “two specs of atoms on a carbon ball.”
“Who pushed it along?” he asked. Have we been previsited by gods or aliens? “The fact that they’d be at least a billion years ahead of us in technology is daunting, and one might use the word God or gods or engineers of life in space.”
And would we want to meet them again? Mr. Scott’s countryman the cosmologist Stephen Hawking has suggested that we should be careful Out There. “We only have to look at ourselves to see how intelligent life might develop into something we wouldn’t want to meet,” Dr. Hawking said.
Mr. Scott agreed: “Hopefully they won’t visit.”
As the movie suggests, however, we might not be able to resist visiting them, whether they like it or not.
Behind the Prometheus legend is the idea that “the gods want to limit their creations; they might want to dethrone God,” said Mr. Lindelof, best known as one of the creators of the television series “Lost.” (He wrote the final “Prometheus” screenplay, revising a script by Mr. Spaihts.)
Mr. Lindelof said he had almost driven off the road when Mr. Scott first phoned: He was given two hours to read Mr. Spaihts’s script while a guard waited outside. He described the process of working with Mr. Scott as “you do everything you can to prevent him from thinking you’re an idiot.”
The dilemma with science fiction, he said, is that the questions it raises can be more engaging than the answers provided.
“I hope no one thinks we are overly pretentious,” Mr. Lindelof said. “We set out to make something entertaining and thrilling to watch, not a band of people sitting around talking about the meaning of life.”
In keeping with its Promethean theme the movie is laced with generational conflict, Mr. Lindelof said. There is, for example, the robot David. “Hey, a bunch of humans seeking out their creator,” Mr. Lindelof explained. “David knows exactly who created him, and he is not impressed by his creator.” He can see, hear and think better than humans and is stronger than they are too.
Nor are all the humans so impressed with David: Vickers refers to him as “a toaster,” ordering him out of the room. But Weyland describes the android as the son he never had, saying David has everything he would ever want in a son, except for a soul.
David smiles
No sueñes tu vida, vive tu sueño
Re: Prometheus, de Ridley Scott
David8, no nos engañes, sigues entrando a escondidas a leer nuestros frikiaportes, jajajaja.
Re: Prometheus, de Ridley Scott
Ese nuevo SPOT tiene un SPOILER como una catedral.
Aqui dejo la imagen para el que quiera verla, emperador mira ese detalle, es de tu imagen.
Re: Prometheus, de Ridley Scott
Última edición por Atormentado 69; 02/05/2012 a las 18:50
No sueñes tu vida, vive tu sueño
Re: Prometheus, de Ridley Scott
Re: Prometheus, de Ridley Scott
Bueno vale. Algo se ve jeje...pero había que ampliarlo bastante. El video a velocidad normal se puede ver. Lo que pasa es que paramos las imágenes, ampliamos, vemos el trailer en 1080p a cámara lenta, visitamos otros foros americanos (que es de donde procede esa imagen). Sí, somos un poquito frikis jeje...
Pero el video puede verse ehhh.
¿Se estrena en Cannes, verdad? Aunque no compita.
Última edición por Emperador; 02/05/2012 a las 19:18
Re: Prometheus, de Ridley Scott
No sueñes tu vida, vive tu sueño
Re: Prometheus, de Ridley Scott
A ver si aquí lo aprecias de verdad:
Re: Prometheus, de Ridley Scott
Stand en el salón del comic de barcelona que empieza hoy o mañana, ahora no me acuerdo:
Impresionante!
Mi BD/DVD teca: chordo
Re: Prometheus, de Ridley Scott
La realidad de esa cabeza ( casi confirmado)
Última edición por Atormentado 69; 02/05/2012 a las 20:27
No sueñes tu vida, vive tu sueño
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