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Tema: Películas en blanco y negro y su remasterización en color

  1. #51
    A.K.A. Jane Austen Avatar de Jane Olsen
    Fecha de ingreso
    26 sep, 12
    Ubicación
    Catacumbas de París
    Mensajes
    13,637
    Agradecido
    37651 veces

    Predeterminado Re: Películas en blanco y negro y su remasterización en color

    Sí, fue esa época en los años 80 en que les dio por pensar que las películas clásicas se habían quedado antiguas y había que modernizarlas . Creo que la empresa de Turner fue responsable de muchos de aquellos desafueros.
    Cyeste y Branagh/Doyle han agradecido esto.
    "There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".

    "Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.


    "Listen to them... Children of the night! What music they make..!"

  2. #52
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,669
    Agradecido
    48791 veces

    Predeterminado Re: Películas en blanco y negro y su remasterización en color



    In 1941, Orson Wells' Citizen Kane was released and received much controversy and praise, from before day one of release to even decades later. During the late 1980s, despite initial claims against it, Ted Turner stated that he wanted to try colorizing the film.

    Two companies were reported to be doing a colorization of the film, but both of them ceased when it was revealed that one of Orson's last wishes was for Ted Turner to not "deface [his] movie with his crayons". Only the final reel of the film had been colorized before the process stopped, and that entire reel has not surfaced since. However, a few clips of it can be seen in the 1991 documentary The Complete Citizen Kane.


    Jane Olsen ha agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

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