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Pearl (Ti West, 2022)
Han hecho una precuela de X, que se titula PEARL
centrada en el personaje de Mia Goth
anuncian para mañana el Trailer
Última edición por Brando; 29/07/2022 a las 20:39
Re: X (Ti West, 2022)
Ganazas...encima parece que habrá lata de coleccionista de "X"
Re: X (Ti West, 2022)
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Re: Pearl (Ti West, 2022)
Esta pesadilla en Technicolor ha obtenido críticas favorables por su paso por Venecia y Toronto. Tanto es así que West ya anuncia trilogía. Lo mejor es que también repetirá Mia Goth, una de las presencias más cautivadoras del género en los últimos años a la que también veremos en lo nuevo de Cronenberg hijo.
Re: Pearl (Ti West, 2022)
A Scorsese le ha encantado, al parecer, según ha contado a SlashFilm.
"Ti West's movies have a kind of energy that is so rare these days, powered by a pure, undiluted love for cinema. You feel it in every frame. A prequel to 'X' made in a diametrically opposite cinematic register (think 50s Scope color melodramas), 'Pearl' makes for a wild, mesmerizing, deeply — and I mean deeply — disturbing 102 minutes. West and his muse and creative partner Mia Goth really know how to toy with their audience ... before they plunge the knife into our chests and start twisting. I was enthralled, then disturbed, then so unsettled that I had trouble getting to sleep. But I couldn't stop watching."
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Pearl (Ti West, 2022)
Y su banda sonora pinta exquisita:
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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