Marty:

"There’s a sense of Christopher Nolan’s macro dramatics at work in Fallout. McQuarrie films with a gliding insistence similar to much of The Dark Knight’s looming urban warfare, and Lorne Balfe’s score swells and thrums and booms in similarly epic proportions. He’s an acolyte of Nolan familiar Hans Zimmer, a fact you can hear in every chord that approaches “bwaaamp.”

But Balfe does his own thing too, particularly in his use of percussion, snares and bongos that create a jaunty staccato momentum."


Y yo presonalmente añadiría Inception (musicalmente hablando)