Christopher McQuarrie anuncia en Instagram el final del rodaje. 3 de agosto en cines.
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Poster japonés
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Pues el poster tiene su aquel... Deliciosamente malo. Parece un subproducto de Asylum.
Espero que ese póster no salga de Japón...
Mi puñetero blog: http://motivosparalevantarse.blogspot.com/
Mi puñetero libro: http://www.bubok.es/libros/234705/Sangre-en-la-pared
¡Jajaja! ¡Y yo!
Lorne Balfe (Pacific Rim Uprising, The Florida Project) se encarga de la banda sonora de Misión: Imposible - Fallout
Lorne Balfe Scoring Christopher McQuarrie’s ‘Mission: Impossible – Fallout’
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Pues aunque sea cutre tiene su punto. Tengo un especial fetiche por los posters japoneses.
Lorne Balfe??? Enserio..... Miedo me da...
Lo que es curioso es que de 6 pelis, de una misma saga, hayan tenido 5 compositores diferentes.. Elfman, Zimmer, Giacchino, Joe Kraemer y ahora Balfe
menos mal que nos queda el tema de Lalo Schifrin
Para mi el mejor trabajo el de Elfman para la primera peli, no me canso de escucharlo...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿Sería posible qué con el tema de la Cinemacon muestren un nuevo trailer de Misión Imposible: Fallout?
Mostraron una escena, pero no se ha filtrado
pero mas o menos la descripcion seria esta:
Spoiler:
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¡Madre mía!, yo pensaba que lo delSpoiler:
¡Quiero un nuevo traileeeeeeer!
Poster desde Cannes
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De Twitter... McQuarrie dice que explicará por qué ha cambiado de compositor por primera vez en su carrera a su debido tiempo. Interesante, esto no suele ocurrir. Niega la veracidad de los rumores acerca de las broncas con Cruise respecto a la música:
@AL3XMPLARY
Why no Joe Kraemer ? He's scored every one of your films before and is reliable, versatile and orchestrally classic. Rogue Nation was a better film because of his work and to see his loyalty to you broken with no explanation is disappointing.
Christopher McQuarrie
I’ll make my reasoning known at the proper time and place. Until then you’ll just have to trust me.
@SoundtrackMemes
You and Cruise had disagreements over how big and bold the music for MI5 should’ve been. Cruise overruled you and let Kraemer do his thing. You then got your vengeance in Fallout by dumping Kraemer and hiring a composer who can’t write big and bold music in the same fashion.
Christopher McQuarrie
I respect your feelings but the above statement is absolute fiction. Tom and I had no such dispute. We’ve argued about one shot in the entirety of our ten year collaboration.
@SoundtrackMemes
Film Music forums can be fake news then, I guess. It’s hard to tell because their predictions about Balfe were true.
Christopher McQuarrie
You’ll know the whole story soon enough. Social media isn’t the forum for it.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
A su vez, Joe Kraemer ha comentado lo siguiente:
"Hello friends. Earlier today, I liked tweets from fans of my work on MI5 who were disappointed I was not working on MI6. This had an unexpected result of misleading people that I held grudge against Lorne Balfe or the makers of MI6. I apologize and withdraw the likes."
En fin, veremos en que queda todo esto.
#salseobandasoneril![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Poster.
y nuevo Trailer, el proximo Miercoles
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Muy guapo el nuevo poster. Deseando que llegue ya el miércoles para ver ese nuevo trailer.
"Dejé morir a mi padre porque confiaba en él"¡Claro que sí, campeón! Menudo monguer estás hecho...
Han sacado otro poster diferente desde Paramount UK
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