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[I]"Coppola made life even harder for himself: “When he arrived in Atlanta, he was looking for accommodation for his extended family and he wasn’t finding anything he particularly liked. So he bought a drive-in motel which had just closed, and decided to renovate it. So all the way through the shoot, he lived there. The construction noise started at six in the morning.” When Figgis (who opted to stay in a different hotel) asked Coppola how he handled it all, “He said, ‘Look, it’s all the same thing. Movie business, construction business: it’s telling people what you want, and making sure they do it.’”[/I]
“I think Coppola still lives in this world where, as an auteur, you’re the only one who knows what’s happening, and everybody else is there just to do what he asks them to do,”
Adam Driver’s first day on set was particularly memorable, a source suggests. One aspect of the story involves Driver’s character’s body fusing with some futuristic organic material. Rather than using digital techniques, Coppola wanted to achieve the effect through old-school methods, using projectors and mirrors, much as he had done on Dracula, 30 years earlier. “That’s great, except nobody can move,” says the crew member. “So they basically strapped Adam Driver into a chair for six hours, and they literally took a $100 projector and projected an image on the side of his head. I’m all for experimentation, but this is really what you want to do the first day with your $10m actor?” The effect would have been quick and easy to create digitally, they say. “So he [Coppola] spends literally half of a day on what could have been done in 10 minutes.”
The virtual “volume” was abandoned in favour of more traditional “green screen” technology”, according to one source: “His dig at us was always, ‘I don’t want to make a Marvel movie,’ but at the end of the day, that’s what he ended up shooting.”
Es brutal. Brutal...