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Re: Megalopolis (Francis Ford Coppola, 2024)
Es interesante todo esto. Parece ser que no puedes poner "Vedla en Imax" en un trailer si no tienes un acuerdo de exhibición con salas IMAX. Debe haber algo que se nos escapa. Quizá lo sepamos en los próximos días...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
¿Qué os decía?. Saltó la liebre.Iniciado por Branagh/Doyle
¡Vamos que nos vamos!.
Francis Ford Coppola’s ‘Megalopolis’ Gets Global Screen Commitment From Imax
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
No he visto el programa de Cannes, ¿Sabéis a qué hora la proyectan?
Re: Megalopolis (Francis Ford Coppola, 2024)
No tengo ni la menor idea de nada, compañero.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Re: Megalopolis (Francis Ford Coppola, 2024)
Me encanta lo de COPPOLA, así, en mayúsculas.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Una sugerencia así general: Spinof no es una fuente fiable de nada. Si, se que citan a The Guardian, pero Spinof tiene tendencia a coger un articulo, mencionarlo y luego no tener nada que ver con lo que dice el articulo real.
En este caso el articulo de The Guardian no menciona en ningún momento "acoso sexual". Y es un articulo larguisimo del que Spinof ha cogido un misero párrafo.
Pero bueno, es lo habitual con esa web.
El titular del articulo de The Guardia: "‘Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis"
https://www.theguardian.com/film/art...le-megalopolis
Re: Megalopolis (Francis Ford Coppola, 2024)
Pero si el reportaje original de The Guardian lo enlacé yo mismo anteriormente en este mismo hilo, compañero.
Posteriormente he enlazado también el de Espinof con toda la intención precisamente para ilustrar lo que dije de que seguro que los medios digitales de tres al cuarto (como es Espinof, que como bien dices no es fuente fiable de nada) patrios se sumarían, tergiversando las fuentes originales para hacerlas mas afines al tipo de sensacionalismo al que somos afines en España, al acoso y derribo Coppoliano que se lleva practicando al otro lado del charco en los últimos meses desde los mentideros habituales de los grandes estudios, que están acojonaitos perdidos con este mega proyecto independiente.
Y no me he equivocado.
Última edición por Branagh/Doyle; 16/05/2024 a las 21:26 Razón: Erratas
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
¡Ojo que lo ha soltado el propio CEO de la empresa (IMAX), allí mismo, en Cannes!
La leche...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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