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Re: Megalopolis (Francis Ford Coppola, 2024)
El aspect ratio es 2:00:1, a la Storaro, y se ha rodado en 70mm (Arri Alexa 65, Panavision Sphero 65 and Super Panavision 70 Lenses).
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Espero que la proyecten en Phenomena a 70 mm por que si me es posible ire si o si
Re: Megalopolis (Francis Ford Coppola, 2024)
Ay BruceTimm, que este cabrito es capaz de conseguirlo de nuevo, ya verás. Ya sabes que cuando se obsesiona con algo y pone sus cojones encima de la mesa es cuando obtiene los mejores resultados.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Compañero, si te hubiesen dicho hace 6 años que ibas a poder ver una nueva película de Francis Ford Coppola en 70mm, te hubieses reído fuerte, ¿eh?.Iniciado por Edge-Azel
Última edición por Branagh/Doyle; 27/02/2024 a las 21:00 Razón: Errata
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Pues mira que daran esta primavera en este cine a 4KCompañero, si te hubiesen dicho hace 6 años que ibas a poder ver una nueva película de Francis Ford Coppola en 70mm, te hubieses reído fuerte, ¿eh?.
Allí he visto a 70 mm Lawrence de Arabia,Los 8 odiosos,Interstellar,Dunkirk,Tenet,Oppenheimer y inflada a 70 Vertigo
Última edición por Edge-Azel; 27/02/2024 a las 21:18
Re: Megalopolis (Francis Ford Coppola, 2024)
LA MADRE QUE ME PARIO. No tenía ni idea de esto. ¿Puedo decir que me encanta esta película (Corazonada)?. Audiovisualmente hablando es una pasada, por mucho que la trama sea super simple (que lo es). Pero es cine con mayusculas. Atrevido. Original. Con cojones.Pues mira que daran esta primavera en este cine a 4K
Allí he visto a 70 mm Lawrence de Arabia,Los 8 odiosos,Interstellar,Dunkirk,Tenet,Oppenheimer y inflada a 70 Vertigo
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Y el 19 de marzo esta otra de Scorsese
Re: Megalopolis (Francis Ford Coppola, 2024)
'Megalopolis' de Francis Ford Coppola tendrá un gran estreno en IMAX este otoño.
Re: Megalopolis (Francis Ford Coppola, 2024)
Se me había pasado esto a mi tambien, magnífica noticia, una de mis peliculas favoritasPues mira que daran esta primavera en este cine a 4K
Allí he visto a 70 mm Lawrence de Arabia,Los 8 odiosos,Interstellar,Dunkirk,Tenet,Oppenheimer y inflada a 70 Vertigo
TV: Panasonic 65GZ950
Amplificación: Cambridge Audio 751R/Krell KAV-300i/Marantz MA6100
Fuentes: Oppo BDP-95/Nvidia Shield/Chinoppo M9201/Roon + MA Mini-i Pro3
Altavoces: PMC Twenty5 24, central VA Maestro Grand, traseros B&W DM602 S2, subwoofers REL TZero MKIII x2
Otros: Isol-8 Cleanline2, Switch Cisco Meraki, cables: QED Genesis Silver Spiral frontales & central, Wires4Music Horus XLR, Wireworld /Audioquest (digital), Wires4Music/Audio Agile/Isotek/Pangea (electricidad)
Re: Megalopolis (Francis Ford Coppola, 2024)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
¿Un pase privado para quién, productores y gente del equipo, o público?
Re: Megalopolis (Francis Ford Coppola, 2024)
Pues mira que daran esta primavera en este cine a 4K
Allí he visto a 70 mm Lawrence de Arabia,Los 8 odiosos,Interstellar,Dunkirk,Tenet,Oppenheimer y inflada a 70 Vertigo
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Cómo le gustan a Storaro esas puestas de sol, en algun ocasión hasta ha hecho que se acabe de poner el sol, como en una escena en el garaje de Tucker. Preciosa fotografía, debe ser un espectáculo poder verla en óptimas condiciones en el cine.
Re: Megalopolis (Francis Ford Coppola, 2024)
La película se ha proyectado en Londres este pasado miércoles
Another private screening of “Megalopolis” occurred on Wednesday, this time in London. As far as I can tell, this is just the second time the film has been screened, so far. Le Point’s Phillipe Guedj has a source who attended and sent him this reaction …
"The film is like Einstein and relativity in 1905, Picasso and Guernica in 1937. Coppola has marked a historic new moment for cinema"
The more I hear about this film, the more I’m starting to think that maybe Cannes is indeed the best place to premiere it. The above reaction reads like hyperbole, but it’s also not totally unexpected given the previous takes we’ve had on this film.
There’s also “El Norte” director Gregory Nava weighing on “Megalopolis”. Again, it sounds like hyperbole, but fits in well with everything else we’ve heard (via IndieWire):
“I feel I was a part of history. ‘Megalopolis’ is a brilliant, visionary masterpiece”, Nava said in a statement to IndieWire about his experience. “I was so overwhelmed that I couldn’t do anything for the rest of the day but think about ‘Megalopolis’ and feel it’s powerful, uplifting message. Francis has taken cinema to a whole different level — the whole experience was profoundly moving. I still can’t stop thinking about the film and telling everyone I know – they all can’t wait to see it! It will blow people’s minds.”
As we speak, the film might or might not be premiering at Cannes. It was definitely screened for the festival, but Coppola has said that he’s waiting for a distributor to pick up “Megalopolis” before he officially premieres it anywhere. I say, f*ck it, just bring it to Cannes and polarize the Croisette. This is the exact type of film that can cause a stir of excitement and puzzlement. It will certainly have people talking about it.
Bruce... ¡BRUCE!. Dame un abrazo o algo.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Compañero, ¿todavía no se sabe cuando la proyectarán, verdad?. Lo digo porque he entrado en la web de Phenomena y en la ficha de esta peli pone "Próximamente".Pues mira que daran esta primavera en este cine a 4K
Allí he visto a 70 mm Lawrence de Arabia,Los 8 odiosos,Interstellar,Dunkirk,Tenet,Oppenheimer y inflada a 70 Vertigo
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Les acabo de preguntar a ver que me dicen
Re: Megalopolis (Francis Ford Coppola, 2024)
Muchas gracias.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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