Ya re-hipotecó su casa en su día para acabar Apocalypse Now.
Ya re-hipotecó su casa en su día para acabar Apocalypse Now.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Nicolas Cage ha anunciado que está en conversaciones para protagonizar la nueva película de su tío Francis Ford Coppola "Megalópolis".
La filmación comenzará en el otoño.
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Al final ha tenido que tirar de familia otra vez...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pero recordemos que Cage puede ser un actor estupendo cuando se lo propone.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Me da igual el actor, pero que la haga ya por Dios. Hasta que no vea fotos del rodaje no creeré que esto marcha, crucemos dedos.
Empezará a rodarse en septiembre y ya hay reparto confirmado (de momento):
Forest Whitaker, Cate Blanchett, Jon Voight, Zendaya, Michelle Pfeiffer, Jessica Lange y James Caan
worldofreel.com/blog/2022/5/4w1cz4t4fq0vzvwbepiwoq1ca4ltsh
Qué gran noticia, ojalá marche todo bien.
El dire de foto es Mihai Mălaimare, Jr. (The Master).
Interasante. Ya hizo Tetro, Youth Without Youth y Twixt para Coppola.
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Última edición por Branagh/Doyle; 20/12/2022 a las 14:21
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Adam Driver y Aubrey Plaza en el rodaje.
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'Megalopolis', lo nuevo de Francis Ford Coppola, en crisis: presupuesto inflado y éxodo de personal de arte
Info: https://www.ecartelera.com/noticias/...al-arte-71834/
El horror... el horror...
Nada nuevo bajo el sol. Coppola vuelve a tropezar con la misma piedra (y con su propio dinero). No entiendo cómo no se asocia con gente más cabal para sus proyectos. Será un cineasta maravilloso, pero como productor siempre ha sido lo peor. Le puede su desmedido amor por el cine.
"Reivindico la melancolía porque somos lo que fuimos" Carlos del Amor
A Coppola siempre le ha pasado lo mismo, después ves que Spielberg levanta en un mismo año catedrales como Jurassic Park/La Lista de Schindler o Munich/La Guerra de los Mundos sin despeinarse. Espero que todo se soluciones y pueda acabar bien la película.
El aspect ratio es 2:00:1, a la Storaro, y se ha rodado en 70mm (Arri Alexa 65, Panavision Sphero 65 and Super Panavision 70 Lenses).
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Espero que la proyecten en Phenomena a 70 mm por que si me es posible ire si o si
Ay BruceTimm, que este cabrito es capaz de conseguirlo de nuevo, ya verás. Ya sabes que cuando se obsesiona con algo y pone sus cojones encima de la mesa es cuando obtiene los mejores resultados.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Última edición por Branagh/Doyle; 27/02/2024 a las 21:00 Razón: Errata
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
TV: Panasonic 65GZ950
Amplificación: Cambridge Audio 751R/Krell KAV-300i/Marantz MA6100
Fuentes: Oppo BDP-95/Nvidia Shield/Chinoppo M9201/Roon + MA Mini-i Pro3
Altavoces: PMC Twenty5 24, central VA Maestro Grand, traseros B&W DM602 S2, subwoofers REL TZero MKIII x2
Otros: Isol-8 Cleanline2, Switch Cisco Meraki, cables: QED Genesis Silver Spiral frontales & central, Wires4Music Horus XLR, Wireworld /Audioquest (digital), Wires4Music/Audio Agile/Isotek/Pangea (electricidad)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.