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Re: Megalopolis (Francis Ford Coppola, 2024)
Puede, pero debido a su relación personal con Coppola era la única opción, después de que el resto se negasen a distribuir la película.Iniciado por efialtes76
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
La cosa es... ¿Se va estrenar el 27 de septiembre en España como habían anunciado?
Creo que no debería ser tan ingenuo al confiar en semejante cosa.
Re: Megalopolis (Francis Ford Coppola, 2024)
Pues yo esperaba que hubiera salido al rescate un sello con tanto prestigio como el que tiene A24.
Re: Megalopolis (Francis Ford Coppola, 2024)
Y haces bien en dudar.
Yo tengo clarinete que a mi ciudad no llega.
Re: Megalopolis (Francis Ford Coppola, 2024)
Se estrena este mes y no hay nada.. yo creo que se pospone en todos lados para darle una buena estrategia de marketing.
Re: Megalopolis (Francis Ford Coppola, 2024)
Re: Megalopolis (Francis Ford Coppola, 2024)
Pues tenemos nuevo poster, se reconfirma la fecha de estreno y en la web de Tripictures sigue anuciandose que se estrena el 27 de Septiembre en nuestro país, y dijeron en su día que el estreno sería regular, no solamente en unas pocas ciudades.
En fin, veremos que sucede.
¿Nuevo trailer mañana?. A ver si sale, lo doblan al castellano, y ya nos podemos quedar tranquilos
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
En mi ciudad tenemos un único multicine,por eso digo lo que dudo y mucho que llegue aquí salvo que sea un estreno en al menos 200 cines.
Re: Megalopolis (Francis Ford Coppola, 2024)
En mi ciudad tenemos un único y mísero multicine,por eso digo lo de que dudo y mucho que llegue aquí salvo que sea un estreno en al menos 200 cines.
Re: Megalopolis (Francis Ford Coppola, 2024)
En mi pueblo también tenemos solo un multicine. En fin, veremos.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
The trick is to pretend you've planned the whole thing out in advance
Re: Megalopolis (Francis Ford Coppola, 2024)
El trailer es absolutamente inspirador.
No sé cómo será el cuestionado conjunto, en cuanto a narrativa, pero el empaque visual es embriagador.
Mi canal en youtube familiar sobre Hot Wheels
Re: Megalopolis (Francis Ford Coppola, 2024)
Esta película necesitaba su propio trailer, no uno con el odioso formato moderno de letras y frases épicas a golpe de percusiones molestas, y con el cansino minitrailer de seis segundos al inicio. Se ha perdido el arte del trailer, y era el momento perfecto para recuperarlo. Es mejor verlo sin sonido, llega mejor el potencial que tiene la cinta.
Re: Megalopolis (Francis Ford Coppola, 2024)
Esto tiene pinta de que va a ser más como Rumble Fish o One From The Heart. Lo que es el argumento no importa mucho, es más un cine sensorial.
Por cierto, los nuevos segundos de metraje que aparecen al inicio son increíbles.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Podían haber usado algo del score original de Golijov, del cual se oían breves fragmentos al final del teaser que lanzó Coppola en Abril.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
En la descripción del trailer en Youtube pone lo siguiente:
MEGALOPOLIS: The Ultimate IMAX Experience on September 23. In theaters & IMAX everywhere September 27
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Última edición por Branagh/Doyle; 05/09/2024 a las 23:27 Razón: Mejor así
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Nueva entrevista con Coppola.
Cito extracto:
ZOOMER: A lot of the challenges you met with while making Megalopolis you’ve dealt with in the past. Your problems with this industry are about as cyclical as the human crisis that you tap into in Megalopolis. But is there anything specific to this new era and the new generation that you found particularly difficult to deal with.
COPPOLA: I think historically, if you look at various fields or activities, when one is coming under its destruction, it begins to behave differently. For example, journalism today is under threat of of extinction. So, you see journalism behave in or in in a desperate way to save itself. Even modern movie business, senses, whether they realize it or not, senses that they’re under danger of destruction. So they look to this notion of streaming and subscriptions and a very aggressive kind of management such as we see in Marvel pictures.
I actually was told by an art director on Megalopolis – when I suggested that we could do a sequence where all the statues fall down with miniatures that would be more theatrical – she said, “Oh, I can’t step on toes. You have to say that idea to the production of designer.” I said, “But, I’m the director. I’m always used to talking to anyone I want. You’re telling me that there’s a structure. I’m not allowed. I’m the director, the producer and the financier. And you’re saying, I can’t go right up to an electrician and say, ‘When he kisses her shake the light.’”
What this tells me is about the movie business is that they’re desperate to survive. The truth of the matter is, the human being has the genius to avoid extinction. But it has to avoid it with creativity.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Cada vez que veo ese póster, me gusta más.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Megalopolis (Francis Ford Coppola, 2024)
Del Insta de Francis
The trick is to pretend you've planned the whole thing out in advance
Re: Megalopolis (Francis Ford Coppola, 2024)
Madre mía. Vaya viaje. Media vida intentando hacer este proyecto realidad.Del Insta de Francis
¡Y al final lo ha conseguido!
Sea la película mejor o peor, creo que esto es algo que hay que valorar.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Trailer en castellano ( en realidad es el teaser que Coppola subió a su canal de Youtube en Abril, no se por qué no han doblado el trailer final, o a lo mejor lo hacen más adelante).
Gran noticia que lo hayan doblado, en cualquier caso. Eso significa que la exhibición del film en nuestro país será generosa, creo yo.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Poster en castellano:
Y sinopsis oficial:
FRANCIS FORD COPPOLA´S MEGALÓPOLIS – UNA FÁBULA es una epopeya romana ambientada en una América moderna imaginada. La ciudad de Nueva Roma debe cambiar, lo que provoca un conflicto entre Cesar Catilina, un artista brillante que pretender crear un futuro idealista y utópico, y su oponente, el alcalde Franklyn Cicero, empeñado en mantener un status quo regresivo, perpetuando la codicia, los intereses particulares y la guerra partidista. En medio de ambos se encuentra Julia Cicero, la hija del alcalde, cuyo amor por Cesar ha dividido su lealtad, lo que la obligará a decidir qué es lo que realmente cree que merece la humanidad.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Trailer en español
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