Cita Iniciado por Branagh/Doyle Ver mensaje
Del 10 de Septiembre.

Lana says John Toll (the cinematographer) is a very sweet man. Lana was afraid of natural light and the sun as a child. Lana loved control over light, she loved to model little glints and gleams and backlights and side-lights, controlled lighting she had the power over. She has no power over the sun, it's always moving and changing, which terrified her in the sense of making a film with. So she liked to think up ideas, storyboard out how it would be lit in a studio, and that's how she made her films. But then she met John Toll, who loves the sun.

They did Cloud Atlas together, and decided they really needed reality in the story (to match what David Mitchell wrote), so she started tiptoeing out into using natural light. John Toll showed Lana that, like Lana knew with acting, creativity isn't about control so much about facilitation. Like you make a circumstance for an actor to blossom out with their creativity (not forced, but enabling the emergence of a very human moment, that you have captured on film), John Toll showed Lana how to do that with the sun, with lighting. When you have that facilitated acting and lighting together, in the same scene Lana now finds it absolutely magical. John Toll helped her see how giving up control can be powerful, in that sense.
Esto se aprecia mucho en el trailer, la luz y el color no tienen nada que ver con las anteriores Matrix, hay mucha más luz natural (me recuerda un poco a Chloe Zhao, aunque mucho más estilizado) y muchos tonos dorados que le dan un aspecto muy distintivo, que espero que esto también esté justificado en la historia (en cambio las partes del mundo real sí parece que mantienen ese tono azulado de la original).

Coincido en que el trailer es un pepino, ni sé las veces que lo habré visto ya (aunque casi prefiero que ya no saquen más)