Y nuevo Trailer
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Poquita expectación por aquí….
Y la están poniendo bastante decente.
Compradas entradas para el sábado.
"The trick is not minding that it hurts"
Yo también le tengo ganas. Mis amigos quieren ver Jurassic World este finde, pero voy a hacer todo lo posible por ver esta en su lugar.![]()
Sufro de un deplorable exceso de personalidad. :(
METAL GEAR LIQUID - A NOVEL BASED ON A HIDEO KOJIMA GAME---[Ver más]
Me quedo sin ir a verla
Tenía las entradas, pero vivo en uno de esos países en las que han vetado la película por el beso entre dos de las protagonistas.
No me queda otra que esperar al streaming![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo tendré que ver esto porque en mi colegio no hay criterio ninguno.
La democracia no funciona. Lucas, viejo zorro, vuelves a tener toda la razón.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
De verdad no entiendo la tirria que le tiene algunos a esta película. Yo he visto a gente montarse tales pajas mentales sobre no sé qué de por qué no está Tím Allen o el actor español. Que si donde se sitúa esto en el universo de Andy etc.. que más da, por favor.
A mí me parece súper original y maravilloso como todo lo último de Pixar. Están en su mejor etapa. El pasado es el pasado. El presente es el presente. Nueva era. Basta ya de comparar todo el rato..
Me río Bruce porque estoy intentando imaginarme la escena. ¿Cómo se deciden este tipo de salidas?. ¿Consenso del personal docente sobre la película a visionar?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Puede ser una de las sorpresas del verano
Y Giacchino lo va a petar en esta
https://www.disneymusiclicensing.com...zk3NS0yNzFlNWY
Claro. Si sigues anclado al pasado, normal. Todas esas grandes. La mejor etapa de Pixar, si. Pero ahora es una *nueva* mejor etapa. Todas las últimas pelis están siendo frescas, originales, y personales, lo que añade mucho.
Yo creo que Pixar se ha dado cuenta de que tienen simplemente que hacer lo que quieren y dejarse de intentar hacer el próximo "Monstruos S.A", entre otras.
Por mayoría, sí. Tampoco había demasiadas opciones.
Eso sí, ha constado en acta, oficiosa(esto no llega al inspector ni de puta coña, palabras textuales) , que el maestro de inglés ha propuesto como contrapartida una japonesada (Jujutso Kaisen 0) y que en su argumentario ha injuriado a Disney. Gravemente.
P.D- La Pixar que realmente merece la pena va desde 2004 a 2010, excluyendo la nefanda Cars, claro.
Última edición por BruceTimm; 15/06/2022 a las 23:23
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Tu hijo sabe.
Tarda en registrarse en el foro.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.