Poquita expectación por aquí….
Y la están poniendo bastante decente.
Compradas entradas para el sábado.
Poquita expectación por aquí….
Y la están poniendo bastante decente.
Compradas entradas para el sábado.
"The trick is not minding that it hurts"
Yo también le tengo ganas. Mis amigos quieren ver Jurassic World este finde, pero voy a hacer todo lo posible por ver esta en su lugar.![]()
Sufro de un deplorable exceso de personalidad. :(
METAL GEAR LIQUID - A NOVEL BASED ON A HIDEO KOJIMA GAME---[Ver más]
Me quedo sin ir a verla
Tenía las entradas, pero vivo en uno de esos países en las que han vetado la película por el beso entre dos de las protagonistas.
No me queda otra que esperar al streaming![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo tendré que ver esto porque en mi colegio no hay criterio ninguno.
La democracia no funciona. Lucas, viejo zorro, vuelves a tener toda la razón.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.