Trent Reznor y Atticus Ross (Gone Girl, The Social Network, The Girl with the Dragon Tattoo) se encargan de la banda sonora de The Woman in the Window de Joe Wright
Trent Reznor & Atticus Ross to Score Joe Wright’s ‘The Woman in the Window’
![]()
Trent Reznor y Atticus Ross (Gone Girl, The Social Network, The Girl with the Dragon Tattoo) se encargan de la banda sonora de The Woman in the Window de Joe Wright
Trent Reznor & Atticus Ross to Score Joe Wright’s ‘The Woman in the Window’
![]()
Oh, shit. ¡SHIT!
...
...
...
![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
A lo mejor es otro caso Hannah, donde Marianelli le ha dicho que si necesitaba música "moderna" o industrial, el no es su hombre. Así que no estoy preocupado.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo lo voy a tomar como un indicio de que Wright se pone fincheriano y eso me gusta, al igual que Reznor y Ross.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Bueno, en mi opinión, las pelis de Fincher con Shore (o Goldenthal o Shire) alcanzaban las mismas cotas de maestría formal que las actuales... pero tenían indudablemente mejor música, con papel narrativo.
El background noise de estos dos pega y queda bien, pero nada más.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.