Pues vaya una gaita .
Porque ésta es de las poquitas películas que, ahora mismo, de verdad tengo ganas de ver.
Pues vaya una gaita .
Porque ésta es de las poquitas películas que, ahora mismo, de verdad tengo ganas de ver.
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Tengo unas ganas tremendas de ver esta película pero el estreno es medio insierto en Chile, consulte al Cine y la respuesta que obtuve fue que hay problema con el Distribuidor.
En México el Estreno es el día 12 de Enero, en España el 16 de Febrero, Usa el día de mañana :(
Ojala la película gane todas esas nominaciones.Que posteriormente tenga éxito en taquilla,y que ello permita que los productores le den carta blanca para hacer "En las Montañas de la locura"
Habla James Wallestein.
Ni que hablara el Papa. Mucho se critica a la crítica profesional (a veces con razón y otras sin ella) pero yo el fenómeno youtuber como que no lo aguanto. Y conste que yo mismo tengo en alta estima las opiniones de no profesionales del medio como Rafa Martín y tampoco quiero meter al señor Wallenstein en el mismo saco que a cualquier adolescente con ganas de hacer dinero fácil, pero hora y media de crítica? Es realmente necesario? Donde hemos dejado la capacidad de síntesis? Lo mismo digo de ciertos podcasts. El último de La Órbita de Endor dura 6 horacas para analizar la última de Star Wars, y 5 de ellas serán para destripar la peli a saco, ni breve sinópsis ni leche, te la analizan minuto a minuto.
Personalmente pienso que con ello se acaba diluyendo lo que realmente se quiere expresar.
Bueno y hasta aquí mi pequeña reflexión
Sí, se lo advierten pero es obstinado en alargar las críticas creyendo que así le quedan mejor. Cuando empezó y las hacía de sobre 10 minutos eran mucho mejores.
Tengo ganas de que se estrene ya. Lo que no la veo ganando premios importantes quitando los técnicos. Ojala me equivoque, pero a la gente de la academia de los oscars las cosas fantásticas no les tiran mucho.
Se ha lanzado un tema de la composición de Desplat de manera oficial. Ay dios. DIOS.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Se ha lanzado íntegra en Spotify y demás. Me acaba de llegar la notificación.
Os dejo enlace a la lista de reproducción de Youtube para que la escuchéis completa:
https://www.youtube.com/watch?v=FS3_...dtCER5PDSPPWJx
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Jane, ya me dirás que te parece (la música).
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Alguien de quien me fío:
Saw the film yesterday. Best film of the year and the BEST SCORE OF THE YEAR. Simply beautiful !
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Tripleyyyyyy!!!!!!!!!!:
it’s very old-fashioned romantic (in the best possible way), sweeping and swooning away, delightfully fluid and shimmering. A highly unusual touch comes in the form of whistling, performed by the composer himself, heard throughout the score.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
¡Qué ganas tengo de verla otra vez!
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Espero que en los Oscar pueda ganar algún premio más después de todas las alabanzas, aunque me alegro de que haya llegado hasta aquí al igual que "Get Out". Parece hasta raro.
Contando los días para el estreno...
Y después de la gala...
Spoiler:
Y no me quiero olvidar de éste hombre:
Última edición por Derek Vinyard; 08/01/2018 a las 23:01
"¿Qué importa como me llame? Se nos conoce por nuestros actos."