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Re: Kenneth Branagh
Mira, hasta el propio compositor lo reconoció:
Even Doyle reportedly found himself initially outside of his comfort zone when approaching Thor, recognizing that the rhythmic loops, string ostinato's, and slammed percussion of today's blockbuster sound, one defined by Hans Zimmer's minions at Remote Control, was not in his musical vocabular
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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