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Re: Kenneth Branagh
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Simplemente, apoteósico.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Re: Kenneth Branagh
Echaré un ojo a la peli cuando puedas, mujer, que es algo muy especial. Enrique V, digo. O consigue la BSO, que puede pasar perfectamente cómo composición clásica.
Siento curiosidad por una cosa. Según me contaste en su momento su Frankenstein te parece muy flojo y el resto de su filmografía la tienes bastante olvidada. ¿Entonces, por que sientes tanto interés en los proyectos de este hombre? ¿Es porque pese a que Shakespeare no es tampoco santo de tu devoción le tienes respeto y amiración a Branagh por el prestigio que tiene cómo adaptador de su obra?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Uno de los mejores temas románticos que he oído en mi vida, sin exagerar:
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Precisamente, creo que Branagh es uno de ésos cineastas al que creo que debería revisar. Cosas pendientes de Jane : revisar a Einsenstein, revisar a Bergmann, probar el buey de Kobe, hacer limpieza de armarios...Van ya...
Y como actor (si lo controlan un poco) creo que es bastante bueno. Siempre recuerdo con un estremecimiento su Reinhard Heydrich de La solución final.
Además, se suelen tener conversaciones interesantes en estos hilos, que para los tiempos que corren, no es poco.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Re: Kenneth Branagh
Ok, yo te lo comento porque el grueso de su filmo en Shakespeare, pero supongo que opinarás que alguien que acerca los clásicos con tanta pasión, personalidad e insistencia a la gente debe ser tenido en cuenta. Cómo actor, ya comenté que lo veo tendente a la sobreactuación, aunque ni mucho menos lo considero mediocre.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Iniciado por Jane Olsen
Precisamente, creo que Branagh es uno de ésos cineastas al que creo que debería revisar. Cosas pendientes de Jane : revisar a Einsenstein, revisar a Bergmann, probar el buey de Kobe, hacer limpieza de armarios...Van ya...
Y como actor (si lo controlan un poco) creo que es bastante bueno. Siempre recuerdo con un estremecimiento su Reinhard Heydrich de La solución final.
Además, se suelen tener conversaciones interesantes en estos hilos, que para los tiempos que corren, no es poco.
Pues te puedes creer que ahora mismo no me suena de nada... cuéntame un poco, a ver.
Hacer limpieza de armarios... yo tengo que hacer limpieza de papeleo, que hay un montón de documentación antigua que ya no debería estar ocupando espacio.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Pues muchas gracias por la parte que me toca (por lo de conversaciones inteligentes). Lo mismo digo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Una de mis grandes debilidades. Adoración es poco. Si tengo que elegir una película que me transmita ganas de vivir, primero citaría ¡Qué bello es vivir!... y después, al momento, "Mucho ruido y pocas nueces". Me gusta mucho Branagh, pero creo que no ha hecho nada como esta obra de arte absoluta. MAGIA cinematográfica.
Por ejemplo esto lo vieron demasiado forzado y excesivo . Se estaban partiendo de risa y no precisamente en el buen sentido. Nos han dicho que ya estamos demasiado mayores para tanta noñería.
PD: Enorme plano secuencia, por cierto.
http://www.cronicasdecinefilo.wordpress.com
Si hay alguien que entienda de cámaras de vídeo profesional agradecería infinito que me mandara un privado. Gracias!
Re: Kenneth Branagh
Yo soy fan a muerte (y también del bardo) , cómo podrás comprobar si te has leído el hilo completo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Mira, compi Gon, me autocito de más arriba para que te hagas una idea rápida.
Tras pensarlo mucho, este sería mi ranking definitivo a día de hoy:
Obras maestras: Enrique V, Morir Todavía, Mucho Ruido y Pocas Nueces, Frankenstein, Hamlet, Trabajos de Amor Perdidos.
Notables: Los Amigos de Peter, En lo más crudo del crudo invierno, Cómo Gustéis, La Flauta Mágica, Sleuth, La Cenicienta.
Flojas/ Malas: Thor, Jack Ryan
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Estoy muy de acuerdo en Enrique V y Trabajos de amor perdidos, sobre esta última, que me encantó en su momento.
A mí el primer Thor me gustó, también Cenicienta, y en general me han gustado cosas del resto.
Eso sí, no soporto Sleuth (con o sin comparación con el clásico de Mankiewick) ni Frankestein ;).
http://www.cronicasdecinefilo.wordpress.com
Si hay alguien que entienda de cámaras de vídeo profesional agradecería infinito que me mandara un privado. Gracias!
Re: Kenneth Branagh
Sólo un apunte: al margen de gustos y calidades, para mi la comparación y la calificación de remake jamás tuvo el menor sentido. Creo que tienen poco que ver al margen de compartir premisa. Es una nueva adaptación de la obra teatral, sin más. El texto es puro Pinter. Thor, más allá de que la mayoría de los segmentos terrestres me parecieron bochornosos, está rodada muy chapuceramente, considerando la habilidad para el montaje y la planificación que ha demostrado tener este hombre.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Sí, sí, por eso decía que mis impresiones no son buenas pongamos o no el clásico a su lado. Me gusta el inicio pero creo que luego descarrila bastante. No me convence, me aburre... ;).
Pero vamos, donde esté mi adoradísima obra shakespeariana....
http://www.cronicasdecinefilo.wordpress.com
Si hay alguien que entienda de cámaras de vídeo profesional agradecería infinito que me mandara un privado. Gracias!
Re: Kenneth Branagh
Es la de los nazis, no me puedo creer que no la hayas vistoPues te puedes creer que ahora mismo no me suena de nada... cuéntame un poco, a ver.
Hacer limpieza de armarios... yo tengo que hacer limpieza de papeleo, que hay un montón de documentación antigua que ya no debería estar ocupando espacio.
. El reparto está compuesto por actores británicos de lo mejor. A mi padre le gusta mucho.
¿Papeles? ¿Trastos? No puede ser peor que en mi casa, te lo aseguro. Para que veas que no miento, adjunto una foto de mi habitación:
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Re: Kenneth Branagh
Yo ahí veo mucho botijo perfectisimamente usable
Respecto a la peli, pues no, parece ser que no la he visto. Según veo por la sinopsis, tiene una pinta estupenda.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Mi madre dice que tiene miedo del día en que nos muramos y haya que deshacer la casa. Va a ser peor que cuando vaciaron la tumba de Tutankhamón...Yo ahí veo mucho botijo perfectisimamente usable
Respecto a la peli, pues no, parece ser que no la he visto. Según veo por la sinopsis, tiene una pinta estupenda.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Re: Kenneth Branagh
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Kenneth Branagh's Dracula...
Sigo pensando que Frankenstein es una película fallida, pero con Drácula este tipo lo podría haber petado...
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Re: Kenneth Branagh
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Uno de los mejores temas románticos que he oído en mi vida, sin exagerar:
Gracias Branagh/Doyle por recordarne el tema romántico de Frankenstein. Siempre alabo el tema de la creación y se me olvida esta obra joya.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
A nuestro Tripley, al que también le apasiona la fotografía cinematográfica, ha de encantarle esa captura de Henry V...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Doy fe, grandísimo ejemplo:
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Efectivamente
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
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