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About LinkBacksSí, eso pareceIniciado por Branagh/Doyle
Saludos
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Re: Kenneth Branagh
Sí, eso parece
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Muy cierto.
Recuerdo que al principio me estaba gustando mucho pero la cosa terminó pareciéndome asfixiantees verdad que Coriolanus tal vez no sea un películón, pero sólo por ver (y oír) a Vanessa redgrave creo que merece la pena.
Saludos. La idea me pareció buena, pero no la ejecución. Me dio pena porque las interpretaciones son muy buenas, incluso Butler, para que luego digan de él
.
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Re: Kenneth Branagh
En los amigos de Peter hay planos secuencia y travellings circulares, ¿eh? Le saca partido a la mansión. Así que eso de amateur...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
B/D, no me seas "zorro"Que ya sabes a lo que me refiero
.
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Re: Kenneth Branagh
La foto es quizá demasiado rutinaria , eso si. Plana plana. Siempre me sorprendió lo que hizo Mcmillan en Enrique V, con ese grano fino, el elegante uso de los filtros de difuminado y los claroscuros. La fotografía del debut tiene grandes momentos, pese a la evidente carencia de medios. (que se nota descaradamente, sobretodo en el momento cartón piedradel Once More Unto the Breach.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Me encanta, por cierto, cómo no se ve nada de la ofensiva (porque no podía verse nada), pero el discurso y la música hacen el resto.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
vs
Joss Whedon:
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
No puedo ver el vídeo, que no la he visto.
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Re: Kenneth Branagh
Pero mujer, la escena es la escena, no cambia nada.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Para mí otro excelente ejemplo de películas complementariasAmbas adaptaciones me encantan y, de nuevo, otra muestra palpable de que con sólo adptarlo bien, Shakepeare aguanto todo.
Saluidos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Vamos a tener que poner remedio a que no la hayas visto... Nathan Fillion hace de Dogberry (Michael Keaton en la de Branagh)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Sí, el escenario de Wheddon se adapta a una estética de "andar por casa" (nunca mejor dichoPero mujer, la escena es la escena, no cambia nada.
Pero es verdad que sin cambiar para nada el texto, Wheddon cambia [no en esta escena]Spoiler:
Lo dicho, que Shakespeare se adapta a todo
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Un circulo de amigos músicos estamos haciendo una porra para ver quién debía llevarse el oscar a mejor BSO de 1985 en adelante. Vamos por 1993 y hay un empate de votos con Elfman y pesadilla y Doyle por Mucho Ruido...
Comentarios por WhatsApp: Doyle was a fucking force of nature back in the day. His 1993 alone put most of other veteran composers to eternal shame (Much Ado, Needful Things, Carlitos´s Way). And the man has a gift for string writing, no doubt about that.
Tripley, a ver que te parece esto:
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Sí, el escenario de Wheddon se adapta a una estética de "andar por casa" (nunca mejor dicho
Pero es verdad que sin cambiar para nada el texto, Wheddon cambia [no en esta escena]
Lo dicho, que Shakespeare se adapta a todo
Saludos
¡Es su propia casa! Y la mujer asiática que canta en determinado momento su cuñada.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Needful things es una de las joyas "ocultas" de Doyle. Excelente banda sonora
Y yo creo que también empate para 1993 entre Ellman y Doyle
Saludos
Última edición por Tripley; 28/02/2017 a las 02:19
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Sí, rodada en su casa en los descansos de rodaje de Lon Vengadores. Y le sale esta joya¡Es su propia casa! Y la mujer asiática que canta en determinado momento su cuñada.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Kenneth Branagh
Vaya año el 93Pero vamos, para mí es La lista de Schindler, seguida por Mucho ruido y pocas nueces.
Re: Kenneth Branagh
Ya digo, yo habría nominado y le habría dado el oscar a Doyle por esto. Subid el volumen, es una barbaridad:
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Otra joyita que debería haber estado nominada. Alive, de James Newton Howard. Si, vaya año el 93.
¿A tí te gusta Branagh, compi Yeruid?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
No quiero, no quieroPero mujer, la escena es la escena, no cambia nada.
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Re: Kenneth Branagh
¿Te soborno? ¿Qué no tenías especial interés en verla?. Y será todo lo de buen ver que tu quieras, pero recuerda que he is an ass.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Sí, mucho. Es un director del que intento ver todo lo que hace.
Re: Kenneth Branagh
Ea, otra cosa en común.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Kenneth Branagh
Me has puesto al Fillion de aliciente
Desde que te has puesto ese avatar...Y será todo lo de buen ver que tu quieras, pero recuerda que he is an ass.
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Re: Kenneth Branagh
No entiendo. ¿El zorro? ¿Qué estoy mucho mas guapo?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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