Qué tonto!!Se trata de Malas tierras!!!
En el primero no lo veía, en el segundo lo sospeché pero las botas no me convencían... Con el tercero ya sí
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Qué tonto!!Se trata de Malas tierras!!!
En el primero no lo veía, en el segundo lo sospeché pero las botas no me convencían... Con el tercero ya sí
.
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
¿No te convencían las botas?. El siguiente ya iba a ser el cameo del propio Terrence Malick:
Tu turno Derek!![]()
Pues no, no las veía yo en la peli.
Nuevo gif:
Spoiler:
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Jajajaja, el mundo es nuestro, de mis compadres Alfonso Sanchez y Alberto López.
"Me da igual que sea Semana Santa, la profesión no puede pasar por aquí. Que cambien el itinerario. Ordenes de la polícia.
...
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Correcto Branagh/Doyle. Precisamente aproveché esta Semana Santa para verla
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Tu turno.
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Vamos allá:
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿Casablanca?
Nop. Mediados de los años 40. Cine negro, negrísimo, con uno de los finales más desoladores y pertubadores de la historia.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Joan Bennett (y Edward G. Robinson), en Perversidad de Fritz Lang
Última edición por Brando; 21/04/2017 a las 18:47
¡Correcto!.
Te toca.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Adivina la pelicula por el gif:
Spoiler:
![]()
¿Éste puede ser Gerard Butler perseguido por uno de los rusos terminators de RocknRolla, de Guy Ritchie?
No la he visto, aunque el fulano que corre me parece muy delgadito para ser Gerik.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Sí, Gerik es el que huye, y no te creas que el ruso está tan delgadito
Vamos con otro gif:
Spoiler:
" Sospechosos habituales " ?
Nop, pero es del mismo año, en este caso es un film dividido en varios segmentos. Amplío el gif, para que sea más esclarecedor:
Spoiler:
men in black??
¿Puede ser Four Rooms?
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Exacto! Concretamente de la historia de Tarantino, The man from Hollywood, su versión del relato de Roald Dahl The man from the South, que ya vimos en dos Alfred Hitchcock presents, en 1960 con Peter Lorre y Steve McQueen y en 1985, con John Huston deseando cortarle el meñique a Steven Bauer
Cuando quieras Jane!![]()
¿Tema para el hilo De la literatura al cine..?
Pues marchando uno muy facilito...
Spoiler:
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Inconfundíble esa bata. Muy bonito el gif.
¿Nadie dice nada..? Venga, que no quiero que esto se quede parado...
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"