De esta, por cierto, sí tengo su banda sonora.
Saludos.
De esta, por cierto, sí tengo su banda sonora.
Saludos.
"And at the instant he knew, he ceased to know"
Tripley ¿no te la sabes?
Pista, la actriz del gif ganó el premio César por su interpretación en el film
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Y su director aparecía en una pelicula de Brian De Palma.
Leñe, pero dila, Golondrina. Claro, es que son íntimos.
agradable
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Lo ganó en 1993 (el Cesar). La peli es del año anterior.![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Me autoflagelo por no reconocer a la Deneuve en Indochina
Slaudos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Deberías, si. Peliculón. Ganadora del oscar, creo.
Y por cierto:
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Gracias Branagh/Doyle.
Nueva propuesta, tal vez facilita:
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Soy un desastre ya he hecho lo de imgur, pero no sé como se pega ese enlace aquí y que salga el gif animado, ni como imagen ni como video me sale...
Última edición por Darkdeckard; 22/07/2016 a las 12:21
"Es una pena que ella no pueda vivir, pero... ¿quién vive?. Gaff (Blade Runner, 1982)
Darkdeckard, cuando el forero dé por buena la solución y ya tengas el gif creado, sitúas el cursor sobre la imagen de Imgur, donde aparece un código; sitúate sobre la flecha a su derecha y se abrirá una ventana donde podrás copiar el código y pegarlo directamente en el foro.
Saludos.
"And at the instant he knew, he ceased to know"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ahí va mi primer aporte. Gracias por la ayuda!!!
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"Es una pena que ella no pueda vivir, pero... ¿quién vive?. Gaff (Blade Runner, 1982)
Esta la sé.
El terror llama a su puerta (Night of the creeps), de Fred Dekker.
Saludos.
"And at the instant he knew, he ceased to know"
Gracias, Darkdeckard.
Siguiente propuesta:
Saludos.
"And at the instant he knew, he ceased to know"
Mmmm, la he visto seguro.... The lovely bones?
"Es una pena que ella no pueda vivir, pero... ¿quién vive?. Gaff (Blade Runner, 1982)
No, no es The Lovely Bones, Darkdeckard. Se trata de una película de la década anterior, concretamente del (esperado) comeback de su mí(s)tico director tras una larga ausencia tras la cámara.
Saludos.
"And at the instant he knew, he ceased to know"
¿La delgada línea roja?
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
¡Correcto, Derek!
Se trata del esperado regreso (al menos para algunos de nosotros![]()
) de Terrence Malick a las pantallas, repleta de bellísimas imágenes (y de un magnífico score de Zimmer.
)
Tu turno, pues.![]()
"And at the instant he knew, he ceased to know"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
En un principio pensé en El árbol de la vida, pero digo esa no es la Chastain... También pensé en El nuevo mundo, pero me cuadraba menos. No pensé en La delgada línea rojahasta leer la pista, que ha sido totalmente definitiva.
Me han entrado unas ganas tremendas de revisar esas dos, El árbol de la vida y La delgada línea roja.
Nueva propuesta:
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"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Pista: participó en el Festival de Sundance.
Y otro gif:
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"¿Qué importa como me llame? Se nos conoce por nuestros actos."