"Kiss the girl..." (el nombre de otra canción de la peli)
Me estáis bajando el nivel. Esta es de primero de BSO, ¿eh?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Poor unfortunate souls...
MUAHAHAHAHAHAHA!
PD: No lo pillan porque lo vieron doblado, Otto+.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Espero que se vea la imagen....
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿No jodáis que es La Sirenita?
In space no one can hear you scream.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Bueno, al final ha llegado la luz al fondooo del maaaar!!!
Correcto, la canción de Úrsula tentando a Ariel y saliéndose con la suya. Una secuencia y canción del todo memorables, y el final, con la voz de la pelirroja elevándose y el clímax final orquestal, de arrancarse la piel a tiras.
Jackaluichi, costó pero pescaste una sirena. Tu turno
Buenas noches.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Me he tenido que registrar para poder subir el tema, pero allá va:
https://clyp.it/pgklvgll
Espero no haberóslo puesto excesivamente fácil, que sois unos hachas
In space no one can hear you scream.
¡Akiiiiiiii! ¡Qué alegría verte! .
Pues estoy en modo Jackaluichi, que me suena mucho pero...
Eso sí, bonita, bonita .
Y aprovecho para mandaros abrazos a todos los de la pandi , perdonad que no esté mucho por aquí. Siempre me acuerdo de vosotros aunque no aparezca , incluso os leo a veces, pero entre que he estado y estoy muy liada y otros temas, es cierto que tengo el foro un poco abandonado más allá de las labores de moderación. Intentaré retomarlo, porque no quiero que se pierda "nuestra pandi" . Hemos vivido muchos momentos divertidos, bonitos, tiernos e incluso tristes aquí, y me gustaría intentar mantener un poco de aquéllo .
Ahora mismo estoy malita y aunque ha habido días en los que he querido hablaros, me ha sido imposible. Ahora cuando ya esté más recuperada intentaré estar más activa .
Mientras tanto, abrazos para todos .
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Paciencia, Campanilla. Desconecta lo que haga falta y cárgate de buenas vibraciones cuando estés mejor.
Mientras tanto, tu aparición nos trae un poco de brisa marina para refrescar la habitación de este foro
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
La pista creo que me suena. Es preciosa y me recuerda a un compositor nipón, puede ser? Campanilla, tómate tu tiempo pero te recuerdo que tendrás que volver a comentar cuando estés recuperada.
Por cierto, yo no me creo ese anuncio, es inverosimil porque... no van en patinete!
¡Qué alegría verte por aquí, Campa! ¡Y qué tristeza al mismo tiempo me produce leer que estás malita!
Sea lo que sea espero que te recuperes muy pronto. Paciencia y tómate las cosas con calma; como dicen los anglosajones, one day at a time.
Yo también ando tan liado que aunque os lea siempre que pueda, luego igual me pego muchísimo tiempo sin participar activamente en el foro, y también me da mucha pena, sobre todo con el grupo tan majo de gente que hay en este hilo en particular
¿Verdad que es súper bonito el tema?
Pues Google me dice que es canadiense, pero viendo su rostro está claro que tiene antecesores de oriente. Así que igual no vas mal encaminado
In space no one can hear you scream.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¡¡¡UUUHHHH!!! ¡¡¡¡UUUUHHHH!!!!
¡¡¡¡UUUUUHHHHHH!!!!
¡Hay que ser chivato y acusica!
¡Ya no es que te vaya a hacer la reseña de Batman R.; es que me voy a presentar allí como tal y te voy a reseñar, señalar, enseñar y a ensañar.... Como dicen los cuñaos, has pillao' comigo, chavá
con babas en la lengua
Última edición por Otto+; 01/12/2019 a las 00:53