Thanks Incubus , qué obra maestra. Pues vamos con un melancólico y vespertino tema, a ver qué tal:
https://audioboom.com/posts/5635433-...o-en-la-granja
Thanks Incubus , qué obra maestra. Pues vamos con un melancólico y vespertino tema, a ver qué tal:
https://audioboom.com/posts/5635433-...o-en-la-granja
- Banda sonora nominada al Oscar, de uno de los grandes, para un director de no muy extensa filmografía, aunque últimamente se ha puesto las pilas
Gracias a las pistas me doy cuenta de que es Días del cielo de Morricone.
Esta tarde tras oír el tema he pensado en Tess de Sarde (que vi por fin hace poco) y tendría que haber exprimido esa sensación porque ambos films creo que se pueden hermanar visualmente hablando.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Exacto Tripley, efectivamente se emana una nostalgia evocadora de atardeceres en el horizonte de los campos de trigo. Por cierto, ya que estamos en pre-Oscars, el film de Malick le valió una estatuilla al español (aunque sólo de nacimiento prácticamente) Néstor Almendros, que también estuvo nominado dos años más tarde por El Lago azul, en 1981, año en que lo ganó la Fotografía de... Tess
Cuando quieras Tripley!
Gracias Akákievich.
Nueva propuesta:
https://audioboom.com/posts/5637424-?t=0
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Je, esta es Becoming Jane de Adrian Johnston.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Correctísimo, "Fantástico Sr. Fox"
Adrian Johnston, un compositor que, creo que nunca falla.
Tu turno.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Tripley, deberías pasarte por el hilo de bandas sonoras. Creo yo. ¡Que vaya día!. Esta mañana hemos tenido lanzamientos de Elfman y Doyle, nada menos.
Vamos con otro:
https://audioboom.com/posts/5643912-...s-y-prejuicios
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
No sé si os lo he comentado, pero adoro a Henry Purcell. Así que aquí estoy, quitándome trabajo de en medio mientras escucho su semi-opera La Reina de las Hadas. Dos horas y cuarto de puro deleite.
Última edición por Branagh/Doyle; 24/02/2017 a las 18:13
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Hablando de Purcell, creo que Marianelli adaptaba uno de sus temas con exquisito gusto en un tema de Orgullo y Prejuicio.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Última edición por Tripley; 24/02/2017 a las 19:29
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
No sé si sabrás que Purcell está considerado el mejor compositor británico de música barroca y probablemente el mejor compositor inglés en la historia de la música . Lástima que falleciese con tan sólo 36 años.
Precioso homenaje que le rinde Marianelli.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Me encanta cómo Wright no corta plano ahí, así parece que la cámara baila con ellos de manera fluida.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Es el gran Patrick Doyle .
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Ahí va otra maravilla.
https://audioboom.com/posts/5646608-juego-5
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Esa es
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
¿Ande ta el temica? (modo pueblerino off)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¡Hala! Había que pinchar en el emoticono. ¿Esto quiere decir que el proceso que me enseñaste para embeber enlaces en un fragmento de texto seleccionado también sirve con nuestros entrañables buñuelitos?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
¿Ninguna idea ?
"There is an inmense joy when you suddenly discover beauty in something that has been around you for ages".
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"