Campanilla pásate por el hilo de Branagh que anoche revise después de muchos ańos Trabajos de amor perdidos, y aún estoy en una nube.
A mi familia le encantó.
![]()
Campanilla pásate por el hilo de Branagh que anoche revise después de muchos ańos Trabajos de amor perdidos, y aún estoy en una nube.
A mi familia le encantó.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Correcto Akákievich, trabajo de Stephen Endelman para la película donde aparecía Hugh Grant.
Tu turno
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Y Tripley, pásate por Adivina la peli por el gif.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Mil disculpas por la tardanza, me ha sido imposible poner hasta ahora
. En compensación, una que creo habremos visto todos al menos alguna vez en la vida:
https://audioboom.com/boos/4852995-
Welcome back, Akákievich.
Creo que se trata de Stargate, de David Arnold (la calidad de sonido del ordenador donde estoy, es perruna, perruna...)
Saludos.
"And at the instant he knew, he ceased to know"
Ouuuhh Yeahhhh!!!
Uno de los más memorables trabajos de Arnold, la peli quizás no haya envejecido del todo bien, o seré yo, pero la última vez que la vi caí K.O.
Cuando quieras MIK!![]()
Última edición por MIK; 23/07/2016 a las 17:26
"And at the instant he knew, he ceased to know"
żPuede ser Evil Dead, de Joseph Do Luca?
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
ˇCorrecto!
Se trata del leit motiv de la partitura de la película de Sam Raimi, compuesta por su (por entonces) inseparable Joseph LoDuca.
Por cierto, la versión que tengo es la europea (distribuida por el sello Varese Sarabande en 1993, supongo que reeditada aprovechando que por entonces el sello distribuía el score para la tercera parte de la saga, con tema principal de Danny Elfman), pese a que en Japón (no sé si también en EE.UU.) se lanzó un compacto del mismo sello que incluía además, la música de la segunda parte (que editó en Europa independientemente, el sello TER.)
Spoiler:
Tu turno pues, Branagh/Doyle.![]()
"And at the instant he knew, he ceased to know"
Gracias, MIK
A por la siguiente oca, pues..
![]()
https://audioboom.com/boos/4855244-ajedrez-mental
MIK,![]()
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
"And at the instant he knew, he ceased to know"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
B/D, el troll de adivina la banda sonora. Lo mejor es que creo que MIK está disfrutándolo.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Alguien ha de decirla, no me seais malos.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Última edición por Tripley; 25/07/2016 a las 01:45
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Pues gracias por el regalo Branagh/Doyle, aunqeu en este caso yo quiero compartirlo con todos los que sean posibles, me parece un grandísimo trabajo de Doyle, en un tono que no suele ser el suyo habitual, así como el film me parece una excelente nueva versión de la obra de Shaffer (aderezada por Harold Pinter)
Nueva propuesta,
https://audioboom.com/boos/4855949-?t=0
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Branagh/Doyle ha sido poner el tema y pensar que estoy siendo muy poco agradecido: tras tu regalo "doyleano/branaghiano" yo propongo ésto
Sorry
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
żżż Sorry??? No entiendo....
Me refería a que la peli parece habernos gustado sólo a nosotros dos, un regalo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Sí, como parece eso, que sólo nos gusta a nosotros (aunque yo hago proselitismo para que guste a más gente), es un regalo. Por eso digo que yo por contra te "regalo" un nuevo tema que no sé yo si te va a gustar mucho.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Última edición por Tripley; 29/07/2016 a las 15:01
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Me suena a finales de los 80/principios de los 90, pero.... no caigo.
żAlguna pista, Tripley?
"And at the instant he knew, he ceased to know"
MIK, la datación es perfecta ya que el film es de 1991.
Pista: en el film aparece muy brevemente un ahora afamado director que ha dirigido hace poco al protagonista de este film en una película, para bien o para mal, ineludible.
Saludos
Última edición por Tripley; 09/09/2016 a las 11:59
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"