Jane, no había leído tu review. Muchas gracias por hacerme el gusto.. Sabía que te gustaría.
Jane, no había leído tu review. Muchas gracias por hacerme el gusto.. Sabía que te gustaría.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
...
Veo que está declarado santo por la Iglesia (cosa que se hizo no sin cierta polémica, porque algunos testimonios lo tachaban de antisemita, si bien también parece que en su convento se acogió a refugiados judíos) y que se han hecho películas y obras de teatro sobre su vida. No sabía que Kilar lo hubiera conocido en persona...
Gracias a tí por sufrirla...
Última edición por Jane Olsen; 15/06/2016 a las 17:50
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Si hija, si. Más vale que pongamosporque si no nos van a expulsar una temporada por soltar improperios...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Kilar era ya muy mayor cuando falleció en 2013, pero aún así debieron haber coincidido cuando era muy joven...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
... Lo digo porque yo sé que mis reseñas musicales son de la abuelita, no sé si esto está grabado en ADD o DDD, si esto es una coda, si es una fuga, si esto representa o no algo concreto o es música porque sí, si esto que suena es el contrafagot, si es el bombardino, si la tuba o la trompa wagneriana...
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
La carencia o no de formación no tiene que ver con el criterio, la sensatez y la inteligencia. Por tanto valoro mucho tu opinión.
Conozco compañeros míos de profesión que son enciclopedias andantes, pero que cómo personas dejan bastante que desear.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Volviendo al tema que he puesto ¿nadie tiene ninguna idea?
Obra clásica del fantastique francés. Un compositor más moderno compuso una BSO alternativa para esta película.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Mmmm.... nu caigo.
Por otro lado... he is back. Again. De su canal de youtube....
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Por cierto, ¿habeís leído las declaraciones del maestro Williams confirmando que compondrá el episodio VIII e Indy 5?
"Si puedo hacerlo, sin duda lo haré. Le comenté a Kathy Kennedy que estoy feliz de hacerlo, aunque la verdadera razón es que no quiero que nadie más escriba música para Daisy Ridley"
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http://www.blastr.com/2016-6-10/john...s-episode-viii
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Madre mía, ¿he visto la película entonces? Qué vergüenza, que vergüenza...
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Me doy de baja hasta finales de mes más o menos. Recados. Pero me habéis hecho sacr la lengua en estas últimas páginas a toda velocidad.
Lo de Tchaikovsky y su muerte envuelta en misterio ya lo sabía, ¿qué opinión os merece la de Edgar Allan poe?
PD: Yo en verano suelo escuchar muy poca música, probablemente es la época en que menos oigo de tod el año
PD2: El réqyuiem del Padre kolbe lo conocí a través de la BSO de El Show de Truman.
Y seguro que me olvido de alguna cosa más que quisiera decir, pero ya no me acuerdo. Bueno, sí, que MIK es un hacha para las cuestiones de índole técnica, o al menos escapa de lo común
Saludos.
Última edición por Jane Olsen; 16/06/2016 a las 09:44
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Curiosamente, hacemos más vida social y salimos más a la calle en otoño y en invierno. En eso también somos raros.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Es que si son ballets, preferiría verlos en directoDe todos modos, ahora que mencionas "Romeo y Julieta" y "Cenicienta", no sé si te habrás enterado de ésto
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https://www.londontheatredirect.com/...t-tickets.aspx
Es el peor príncipe de la historiaQué cosa más acartonada, por favor
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Me compré la película hace unos meses
Ver a un buenorro con batuta me resulta algo perturbador![]()
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Igual que yoMe gusta el invierno y el otoño
Lo mismo digoDebería haber nacido en otro país
No cuadro mucho con lo Tipical Spanish
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"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Que si me he enterado, anda, léeme en el post de james bond haciendo un off-topic cómo un camión sobre las obras teatrales de Branagh.
Desde el final de está página hasta el final:
https://www.mundodvd.com/bond-james-bond-29437/61/
Ballets en directo...
Spoiler:
;)![]()
Última edición por Branagh/Doyle; 16/06/2016 a las 15:43 Razón: Evitar redundancia
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo tampoco.... echo de menos Inglaterra. Mucho.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Según he leído, podría estar basado en Karlheinz Böhm, el príncipe Francisco José de Sissi, pero dado que Cenicienta es de 1950 y la cinta de Marischka de cinco años después, no parece probable:
¡Premio para el...¿perezoso?![]()
..!
Efectivamente, es la mágica película de Cocteau y la onírica BSO de Georges Auric:
Spoiler:
Años más tarde Philip Glass compuso una BSO alternativa en forma de ópera:
Spoiler:
Tu turno.
Última edición por Jane Olsen; 16/06/2016 a las 17:04
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Jajaja, es que me faltan por ver las dos últimas entregas y por eso no entro por el hilo, que últimamente abunda el spoiler por el foro
¡Ahora, sí!Ballets en directo...
Spoiler:
;)![]()
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Me gustaría ver la obra de Branagh¿Sabes si las suelen vender posterioremente en formato doméstico?
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"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
No que yo sepa... Macbeth la emitieron online en directo por Internet en HD y en cines (algunas sesiones), previo pequeño pago, claro. Tampoco las composiciones de Doyle se editan en CD, lo que es una verdadera pena.
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Última edición por Branagh/Doyle; 16/06/2016 a las 16:55
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿Te gustaría ver el Romeo & Julieta de Branagh protagonizado por la parejita de Cenicienta, eh?
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¡Atención Campanilla y todos! ¡Ha habido suerte con Macbeth!
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.