"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Sí, claro, y así lo tenía pero ahora mientras tengo el problema este del Dolby Digital, la única manera que se ha encontrado es tenerla activado y puesto en DD 5.1
Claro, es un fallo tremendo... lo he probado en casa de un amigo de mi hijo y el fallo sucede hasta teniendo Homepods de Apple (los grandes), conectados como salida de audio de Apple TV, que en vez de sacar 5.1 y Atmos sacan estéreo en todas las apps...
Es decir, que si sucede incluso con hardware de audio de Apple, es que es algo interno del código de tvOS... alguien ha metido la pata pero bien.
¿Te sucede con todas las aplicaciones?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Sí, sucede en todas las apps
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
¿Alguien podría confirmarme si el master del que parte la copia en HD de La Ley de la Calle (Rumble Fish) en la store española es el restaurado (que editó Criterion en USA en 2017), o el antiguo (editado en Blu Ray por Eureka en 2012), plagado de realce de contornos y otros problemas?
Gracias de antemano.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo la tengo comprada de hace tiempo pero no te puedo confirmar de donde viene el master. Si me pudieses dar alguna pista te lo miraría. Si que te puede decir que se ve bastante bien, sin realce de contornos y con su granico. Eso sí, subtítulos sólo en inglés. El audio en inglés y español.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
LG OLED G2 55”/ Blu Ray UHD Sony UBP-X700//Apple TV 4K 2022/Amplificador Yamaha RX-473
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