"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Tú igual no.
Yo igual sí.
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RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
Planos y, reconociéndole formalmente tal como me jacto, podría delatarle la composición. Pero es que tengo información de CONTEXTO, claro. Es un momento, en absoluto una secuencia (más quisiera yo), de DEFINICIÓN de Han dentro del Halcón que deviene en gag. Estoy MUY familiarizado con su particularísimo sentido del humor. De ahí que igual pudiera reconocer su huella.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
A mí me mataba cómo introducía elementos slapstick en los combates, o los gag visuales con la planificación y las transiciones. Claro que tiene personalidad tras la cámara. De hecho veo mucho de ese sentido del humor asimilado e integrado por Spi en Indy (lógico, por otra parte).
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo reconozco humildemente que tengo que aprender mucho todavía. Algún día tocará revisar American Graffiti, THX y Star Wars (again)