Premiere Mundial el proximo jueves 10 de Mayo, en Los Angeles
se podra seguir via StarWars.com
El Armario de Lando tiene un tema musical?
Lando's Closet
Las Aventuras de Han
Conoce a Han
Persecucion en Corellia
Puerto Espacial
Volando con Chewie
Atraco al Tren
Llegan los Merodeadores
Pollo en la Olla
Esta ocupado este asiento?
L3 y el Halcon Milenario
El Armario de Lando
Mision en la Mina
La Fuga
El Buen Tipo
Terapia de reminiscencia
En las fauces
Bueno que estabas escuchando
Prueba de Lealtad
Dados y Rollo
mas o menos![]()
Ron Howard ha dicho esto en una videorespuesta de un Q/A en Twitter (no se cómo incrustar el vídeo en el foro)
"John Williams himself suggested that John Powell would be a great candidate to not only use the classic Star Wars themes, but also the new theme that John Williams himself wrote for Han Solo. John Powell wrote a lot of great themes, including the first-ever Chewbacca theme."
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Del Twitter de John Powell:
"In addition to John Williams’ brilliant tune for Han, I got five new themes + many other motifs/riffs joining the Galaxy Far, Far Away in Solo: A Star Wars Story! 🎺😎🎺
Now.. guess/discuss!"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Para muestra, un botón:
Ahora BruceTimm saldrá a decirme: Te dije que la contratación de Powell era una buena idea, B/D.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Ron Howard asegura que no hay planes concretos para una secuela
Link:
http://www.sensacine.com/noticias/ci...icia-18567334/
4 HORITAS DE PURO ZACK
18-3-2021
SOLO A Star Wars Story (Han Solo) TV Spot Trailer 16
SOLO A Star Wars Story (Han Solo) TV Spot Trailers 17 and 18 + New Scene Preview 2
Cualquiera que haya oído y disfrutado las bso de Cómo entrenar a tu dragón ya sabe que era buena idea.
Si, Powell es muy bueno, especialmente en animación... cuando le dan libertad. Pero en varias ocasiones, más de las que me gustaría, vuelve al peor sonido made in Zimmer, "cantera" de la que salió. Afortunadamente, tiene ya su estilo propio sólidamente formado, y técnicamente hablando es mejor que todos los del al compañía, Djawadi, Jablonsky y el mismo Zimmer. Su manejo de las posibilidades de la orquesta, es fresco y dinámico.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"Because sometimes truth isn't good enough".
El canal de YouTube de Star Wars ha publicado dos clips de la pelicula, los cuales en este momento no puedo enlazar, ruego me disculpeis.
Lo curioso es que, de este pelicula, ya se han publicado tres escenas, mientras que del Episodio VIII, no se public'o ninguna. De Rogue One creo que se publicaron dos.
Curioso.
No se cuantos posters han salido ya, pero este es el Poster IMAX oficial
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Por lo que me han contado, esta pelicula que nadie quiere, ya ha vendido en preventa mas entradas que Pantera Negra. Otra pelicula que se presumia fracaso y arraso.