Otra, muy dura:
Glass is so tragically misguided, so bereft of character that it may be a sign that perhaps The Visit was a fluke. Maybe the Shyamalan who struck gold 20 years ago never came back after he parted ways with Disney over story notes given for Lady in the Water. With Glass, which proves that he indeed shouldn’t have returned to the world of Unbreakable, he entirely loses sight of his characters, his skewed balance of compassion and malice, his quirky dialogue and the real reasons (not just the plot twists) that he became a household name in the first place. For years we all thought that Shyamalan had lost his storytelling mojo. But now it appears that he may have lost his empathy and compassion. And if that is the case, he may have lost me as well.
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