Descrita por el propio Tippett como "una película experimental en stop-motion ambientada en un mundo miltonesco de monstruos, científicos locos y cerdos de guerra".
YA TARDA.
Descrita por el propio Tippett como "una película experimental en stop-motion ambientada en un mundo miltonesco de monstruos, científicos locos y cerdos de guerra".
YA TARDA.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
Pero esto lleva mil años no? Lo va a terminar?
Unos 30 años...
Y parece ser que sí, que su intención es esa.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Este hombre es un genio
Pues parece que la terminó; se ha podido ver en Sitges, y...
‘Mad God’: el genio tras las criaturas de ‘Star Wars’ nos lleva al infierno en la obra maestra que tardó 30 años en rodar.
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Que duración tiene? porque igual se hace pesada de ver.