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Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
Me va a dar algo.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
Spoiler:
Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
Sobre la música de Marianelli (y Zack, tienes otro privado). Solos de piano tenemos de nuevo en abundancia parece ser, cómo en Orgullo y Prejuicio.
For Joe Wright’s Winston Churchill wartime drama, the director initially suggested solo piano but also, composer Marianelli says, “great propulsion, great momentum forward,” all conveying “the sense of restlessness of the man.”
Enter world-class soloist Vikingur Olafsson. The Icelandic pianist was “particularly versed in minimalism, with an expressiveness that wasn’t remotely romantic,” Marianelli says. He quickly expanded the scope of the score to be more fully orchestral.
Rhythmic use of strings permeates “Darkest Hour,” with short motifs that act as “signposts, trying to mark the way or show you where you might be going,” Marianelli says. One associated specifically with Churchill, another a “buildup to war, a vaguely militaristic musical idea with drums and brass.”
Toughest of all was underscoring Churchill’s final, inspirational “we shall fight” speech, rousing the British to war: “It was six or seven minutes. You start from almost nothing and you build and build.” Worth noting: Marianelli already has an Oscar for “Atonement” and two additional nominations, all for Wright films.
Pinta glorioso.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
Marianelli musicando "la cámara omnisciente" de Wright (parece que lo de Dunkerque fue un ensayo general)
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
Nuevos Clips
Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
La banda sonora ya está disponible en streaming legal (Spotify y demás). A darle caña, gente. It´s bloody awesome. ¡Zaaack!
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: El instante más oscuro (Darkest Hour, 2017, Joe Wright)
Me acabo de enterar de la existencia de esta película. ¡Mola..!
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
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