(1) Part of Jack's interview at the Overlook Hotel.
(2) Danny's examination by a doctor (Anne Jackson)
(3) Part of the tour of the Overlook with Ullman, Jack and Wendy, including the dialogue in the Colorado Lounge and The beginning of the scene where Ullman shows Jack and Wendy the hotel grounds and the scene leading up to Dick Hallorann's first appearance where Ullman shows off "The Gold Room"
(4) Part of Danny's conversation alone with Hallorann
(5) The end of the Torrances' first scene in the hotel, when Wendy brings Jack his breakfast
(6) Immediately after the scene in which Wendy and Danny explore the maze, a sequence has been cut in which Wendy is seen working in the kitchen while a TV announcer talks of a search in the mountains for a missing woman
(7) THURSDAY title card
(8) Wendy and Danny watching the Summer of '42 on television.
(9) dialogue from the middle of the scene in which Jack first goes to the Gold Room
(10) Wendy is seen crying and talking to herself about the possibility of getting down the mountain in the snowcat, and of calling the Forest Rangers
(11) Dick Hallorann again tries to get through to the Overlook by calling the Ranger station.
(12) 8AM title card
(13) Hallorann asks a stewardess what time they are due to land in Denver; she tells him 8.20 and he checks his watch. Jack is seen typing in the lounge of the Overlook. Hallorann's plane lands at the airport. Larry Durkin (Tony Burton), a garage owner, answers his phone and talks to Hallorann, who asks for a snowcat to get up to the Overlook.
(14) GS: "A whole scene where Danny is watching TV (a Roadrunner cartoon). After talking to Danny (I think telling him to stay there) Wendy picks up the baseball bat and exits (on her way into the Colorado lounge). I was particularly proud of the way I 'choreographed' the cartoon music on the TV with Wendy's movements. There was then a long dissolve, as the cartoon music faded, to Wendy entering the Colorado lounge. After a pause I then gently faded in the start of the Penderecki music as Wendy walks towards Jack's desk."
(15) The beginning of the scene in which Wendy finds Jack's type-written pages covered with "All work and no play makes Jack a dull boy" (GS: This then is really cut (14), i.e. the second half of the dissolve plus a few more seconds of Wendy walking into the Colorado lounge)
(16) A tableau in which skeletons are sitting at a table with a champagne bottle and glasses.