"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Y el hype sigue subiendo! Hardy esta en forma, después de ver Taboo, no veo la hora de ver esta cinta.
Qué ganas de oír algo de Zimmer, a ver si está tan inspirado cómo en Interstellar (aunque tomase prestado pelin demasiado de Glass, en mi opinión)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Nuevo Poster
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"Cuando 400.000 hombres no podían regresar a su país, su país fue a por ellos".
¡Alemania también fue a por un número parecido de sus hombres en Stalingrado! Pero no pudo rescatarlos.