Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Por si todavía quedaban dudas sobre donde ir a verla los que somos de Barcelona...
Después de la experiencia de Interstellar en 70mm en la misma sala, llena a reventar, medio año después del estreno, repito.
FUERA DE SERVICIO
"So this is how liberty dies, with thunderous applause." - Padmé Amidala
Ya hace un tiempo que lo tengo claro: todos los estrenos que pueda, al Phenomena. La pantalla, sonido Dolby Atmos, la sala, la limpieza, la gente. Incluso el placer de entrar rodeado de esos posters de todas las películas míticas que nos podamos imaginar. Ahora que lo pienso me falta ver un Nolan ahí. A ver si un día ponen Memento o Batman Begins![]()
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Que suerte tenéis. Yo os maldigo.![]()
En caso de viajar a Barcelona, por cualquier motivo,si tienes tiempo, consulta su web porque cada día tienen programadas varias películas, de todo tipo, y salvo mala suerte, la sala te encantará.
De momento esta cae sí o sí en dicha sala. Hoy mismo hacen un Hitchcock y un Kubrick. Y mañana Centauros del desierto de John Ford.
Perdón por el off topic.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
No me acordaba de que Branagh era actor en Dunkirk. Entre esta película y la próxima suya cómo director, vuelve a estar en primera plana.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
FUERA DE SERVICIO
"So this is how liberty dies, with thunderous applause." - Padmé Amidala
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Y el hype sigue subiendo! Hardy esta en forma, después de ver Taboo, no veo la hora de ver esta cinta.
Qué ganas de oír algo de Zimmer, a ver si está tan inspirado cómo en Interstellar (aunque tomase prestado pelin demasiado de Glass, en mi opinión)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Nuevo Poster
![]()
"Cuando 400.000 hombres no podían regresar a su país, su país fue a por ellos".
¡Alemania también fue a por un número parecido de sus hombres en Stalingrado! Pero no pudo rescatarlos.
El Poster es malo con ganas
Ganas de verla.
Última edición por umbalator; 09/06/2017 a las 20:51
Pues no sé yo porque los pobres rusos murieron a millones. Al final, entre unos y otros terminaron ganando pero a un coste inimaginable para ellos. Hay una frase que dice que la Segunda Guerra Mundial se ganó gracias a la industria de los americanos, el tesón de los ingleses y la sangre de los rusos. O algo así, pero vamos, creo que fueron 20 millones de rusos los que murieron, que se dice pronto.
Viviriamos en un mundo fascista y oscuro.
No, thank you