Imágenes del rodaje.
Imágenes del rodaje.
Empezamos muy bien. Claro, es verano y es tiempo de piscina
Hailee Steinfeld publica como se llamara en el film, Charlie Watson.
El nuevo aspecto de Bumblebee.
Spoiler:
esta pelicula tiene pinta de que va a ser una version bayzada de "ahi va ese bolido"
Joder pero de verdad se están tomando en serio esta película,por favor que llegue blade runner 2049 que es lo que importa
Parece que ha acabado el rodaje,
y durante la fiesta de despedida, se pudo ver este logo, con el titulo de BUMBLEBEE: The Movie
http://news.tfw2005.com/2017/11/11/bumblebee-robot-mode-head-title-card-revealed-bumblebee-movie-353401
1ª Imagen Oficial
Y hay quiénes no aguantan a Dwayne Johnson y le da mil patadas como "actor" a John Cena.
Cartel oficial desde la CinemaCon
No se han matao, es la misma foto, con el titulo
Esto... Dario Marianelli compondrá la música (probablemente por amistad con el director, animador de los Boxtrolls y director de la extraordinaria Kubo, a las que ya puso música) . Y estamos hablando del mismo hombre que se bajó de Hannah, por considerar que la película requería música más moderna que la que su estilo era capaz de proporcionar.
Creo que es la primera vez que le vemos en una película de este tipo (nunca me lo hubiese imaginado, la verdad).
Intrigado por ver que sale de aquí. Cómo mínimo por primera vez algo relacionado con la saga tendrá una banda sonora decente.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Aunque seguramente su música sea considerada demasiado clásica/antigua/elaborada/ y rechazada semanas antes del estreno. Entonces Lorne Balfe o Djawadi parchearán el asunto a toda velocidad.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Discrepo, salvo la cuarta parte, la musica de Jablonsky ha sido uno de los pilares (y de las pocas sagas musicalizadas actualmente de la manera mas ''clasica'' de MV, de hecho, alumno total de Hans Zimmer y Harry Gregson-Williams) de la saga y su tema central, posiblemente de los power athems mas loables del estudio, junto con el tema de Piratas del Caribe o Gladiator.
Pero seria INTERESANTE ver la musica de Marianelli.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
El tema de Piratas del Caribe es un pseudo-plagio-remedo del de Gladiator, pero es Zimmer (o Badelt, depende), pero es uno de los temas mas memorables del estudio del aleman.
Pero por encima, esta el de la saga Transformers y el de Batman, Armageddon, The Rock y Deep Blue Sea.
¿Donde está Tripley?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"