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Megalopolis (Francis Ford Coppola, 2024)
Re: Megalopolis (Francis Ford Coppola, 2024)
Para quien le interese y no necesite subtítulos (o se apañe con subtítulos únicamente en alemán), ya se puede comprar el BD alemán en Amazon España, con fecha de entrega mañana mismo.
Parece que, a diferencia de la edición italiana, el disco alemán cuenta con Dolby Atmos tanto la versión doblada al alemán como en su versión original en inglés.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Ya se puede pedir la edición británica en Amazon UK. Sale el 3 de Marzo.
Última edición por Branagh/Doyle; 24/02/2025 a las 16:29 Razón: Añadido enlace de Amazon
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
No puedo enlazar directamente en el post a la página de producto en Amazon UK porque luego al hacer click desde el foro me dice que la página no existe, pero si entrais en Amazon UK y lo buscais manualmente vereis que si que existe.
Que cosa mas rara.
Última edición por Branagh/Doyle; 24/02/2025 a las 10:42
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
Qué raro es eso. A ver...
https://www.amazon.co.uk/dp/B0DW92TJQW
Recortando el enlace a lo más básico (quitando el título de la dirección web), sí funciona.
Re: Megalopolis (Francis Ford Coppola, 2024)
Gracias de nuevo. Añadido enlace directo al post.Iniciado por repopo
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Megalopolis (Francis Ford Coppola, 2024)
A los de Lionsgate habria que colgarles.
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