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Resultados 1 al 7 de 7

Tema: Megalopolis (Francis Ford Coppola, 2024)

  1. #1
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces

    Predeterminado Megalopolis (Francis Ford Coppola, 2024)

    Aprovechando que Megalópolis se ha lanzado hoy en Estados Unidos digitalmente (compra y alquiler) en las plataformas habituales (Apple, Amazon, Vudu...), Lionsgate ha aprovechado para reconfirmar que el próximo 25 de Enero editará la película en formato físico (Blu-Ray y UHD, con opción de steelbook). Eso si, no sabemos nada de nada aún sobre los posibles extras que pueda contener la edición (documentales, audiocomentarios...).
    MuMul, Tripley, Fredy Urbano y 1 usuarios han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  2. #2
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Blu-Ray alemán anunciado para el 19 de Diciembre (confirmado por bluray-disc.de), cortesía de Constantin Film. Alemania se convierte así en el segundo país Europeo tras Francia ( edición en Blu-Ray y UHD disponible el próximo 25 de Enero, cortesía de Le Pacte), en anunciar una edición física de la película.

    Ojalá en España tengamos noticias pronto.


    MuMul, Tripley y Fredy Urbano han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  3. #3
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Seguimos para bingo: Australia anuncia edición en Blu-Ray (cortesía de Madman Entertainment) para el próximo 22 de Enero.
    Última edición por Branagh/Doyle; 14/11/2024 a las 18:22
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  4. #4
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Italia anuncia edición en Blu-Ray y UHD para el próximo 21 de Enero, cortesía de Eagle Pictures.

    Telémaco, Tripley, Raulvz y 1 usuarios han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  5. #5
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Es decir, que en Europa de momento tenemos confirmadas ediciones en Italia, Francia, y Alemania.

    A ver si A Contracorriente se anima a editarla en nuestro país.
    Tripley y PrimeCallahan han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  6. #6
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Oh no.

    Al parecer está la gente revuelta en Estados Unidos porque Amazon está cancelando las pre-reservas del film a todo cristo, tanto en BD como en UHD.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  7. #7
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    20,813
    Agradecido
    49037 veces
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

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