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[Bootleg] Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
[Bootleg] Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
¿Esta edición patria, lanzada el pasado 13 de Enero es de quién yo creo que es ?
Se trata de la restauración del BFI.
Última edición por Branagh/Doyle; 04/03/2024 a las 18:39
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: El hilo de Filmin
Napoleón de Abel Gance está disponible en el catálogo. 5h y 30 min, restauración cortesía del BFI. Curiosamente (o no), recientemente la película se ha editado en formato físico en España, cortesía de la editora innombrable.
Yo no digo nada...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
En efecto, es de quien tu crees que es.
Re: Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
Puff, vaya tela. Gracias, Ponyo.Iniciado por Ponyo_11
¿Se puede saber por qué tu respuesta hacia mí tiene dos votos negativos?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
Duplicado.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: [Bootleg] Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
FILMIN piratón.
Me atrevería a mover el post de la caja tonta de filmin a este subforo, con un par de cohones.
Re: Napoleón (Napoléon vu par Abel Gance, 1927, Abel Gance)
Por la misma razón que tu tienes también dos negativos.
Gilipollez extrema de algunos usuarios, que mejor estarían ocupándose de sus problemas en casa. Que viendo esto, tienen y no pocos.
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