Fuentes confiables, de momento, solo esta disponible el artwork
https://images4.imagebam.com/57/f1/34/MEWDV30_o.jpg
Versión para imprimir
Fuentes confiables, de momento, solo esta disponible el artwork
https://images4.imagebam.com/57/f1/34/MEWDV30_o.jpg
Para quienes no lo sepan.
Alien Isolation es quizas el score mas deudor del Alien de Goldsmith, no solo por continuista con el material del coleta salvaje (muchas variaciones del magnifico tema principal), tambien por como construye su musica de suspense, con sus ritmos percutivos a modo de contrarreloj y tensitivo hacia la criatura.
https://www.youtube.com/watch?v=uxHNwlUDHaw
Me acabo de enterar que el remaster de Until Dawn no ha contado con la musica original de Jason Graves, sino con una partitura totalmente nueva de Mark Korven, tambien es porque no ha sido Supermassive Games el responsable.
El trabajo de Graves en el juego original (disponible en todas las plataformas habituales), es una de las primera colaboraciones entre Supermassive Games y el compositor (luego vendrian todas las entregas de Dark Pictures, con musica de Graves incluso la reciente que saldra para el proximo 2025), solidisma, un trabajo de terror bien construido, que capta muy bien el aislamiento de los personajes en el escenario.
https://www.youtube.com/watch?si=vAIf8hXtfXJviQFh&v=JlR2XbWeu-o&feature=youtu.be
Disponible en los países que sea LunesCita:
Iniciado por PrimeCallahan
https://www.qobuz.com/nz-en/album/al.../qssk1g6ua4vyc
Osvaldo Golijov sobre Megalopolis y Coppola:
“Francis said to me, ‘I can name you a particular movie [reference] for almost every frame of this movie.’ And I think that he wanted the same for music,” said Golijov, 63, a Brookline, Mass., resident who earned his doctorate from the University of Pennsylvania.
The music from Megalopolis is developing a life of its own. The soundtrack is out, and in November the Megalopolis Suite will be performed by the Chicago Symphony Orchestra led by Riccardo Muti (who is a distant cousin of Coppola’s). Golijov’s opera Ainadamar, about poet-playwright Federico García Lorca, opens Oct. 15 in a new production at the Metropolitan Opera.
Coppola first approached Golijov about writing the score for Megalopolis more than two decades ago. The film itself has been in the making for 40 years.
“He made the decision that he did not want to work with a Hollywood composer, and like all good directors he did research — you know, he asked music people, ‘Who should I be listening to?’ He liked my music, and wrote to me a handwritten letter that I still have next to my piano, inviting me to Napa, and we went through the script.”
A few months later, Coppola told Golijov the movie wasn’t happening, “‘but I have a small movie I want to do. And would you like to do the music?’”
That movie was Youth Without Youth. Golijov then wrote the music for Coppola’s Tetro, and Twixt after that.
For Megalopolis, Golijov worked on the music for about eight months, “but really, like, crazy — like waking up at 3 a.m. and working until 7 or 8 p.m. straight. Because there were more than two hours of music, and so it was really, really intense. And also I wanted to orchestrate the music. Because of Crumb, I thought the colors were important and I wanted them to be mine.”
“Crumb” is George Crumb, with whom Golijov studied at Penn, and a sensitivity to the power of instrumental color is one of the things Golijov took away from his time with his teacher.
Crumb was not a film composer, though one of his works, the “Threnody I: Night of the Electric Insects” from Black Angels, was memorably deployed to horrifying effect in the soundtrack to The Exorcist.
“It’s the awareness that color is meaningful and the tactile aspect of music is meaningful, too — that they tell a story as much as the notes and the rhythms that you choose,” said Golijov. “He had such exquisite sensibility that he was able to have a narrative that was propelled by everything at the same time.”
Crumb’s music has the unusual quality of belonging to no time in particular. Golijov’s music for Megalopolis seems to come out of every era. But while there are plenty of contemporary sounds in the score and a steady pop sensibility, the overwhelming vehicle underpinning the action and emotion is orchestral, a sound palette that endures in film in an era when everything about the culture has changed around it. And for good reason, says Golijov.
“It’s funny that the sound of Hollywood was created in central Europe — it was Korngold and Max Steiner and Miklós Rózsa, and then it was kept alive with John Williams. When the orchestral music is good, [audiences] get transported in a way that is different than with electronics or contemporary ensemble amplified. Maybe it takes 100 people to create that landscape.”
29 de Noviembre, CD, Vinilo y Digital
https://filmmusicreporter.com/2024/1...album-details/
1. Overture (3:54)
2. Dead Flowers (5:27)
3. Hutter’s Departure (3:44)
4. The Inn (3:04)
5. Book of Vampires (1:46)
6. Land of Ghouls (4:27)
7. Phantom Carriage (3:04)
8. The Dining Room (2:15)
9. Night Shadows (3:05)
10. Ellen’s Portrait (4:30)
11. Sleepwalk (1:13)
12. The Crypt (4:18)
13. Escape from the Castle (1:45)
14. Delirium (4:09)
15. Blood Is Life (3:26)
16. Ellen by the Sea (4:35)
17. A Dark and Watery Grave (2:55)
18. The Captain’s Demise (3:53)
19. Ship of Doom (3:29)
20. The Master Is Near (4:38)
21. The Plague (6:12)
22. Dead Town (3:48)
23. Burials (2:54)
24. Knock’s Flight (3:08)
25. Possession (5:12)
26. Sacrifice and Finale (2:55)
Ya disponible en plataformas digitales, la edicion deluxe del score de Naoki Sato
https://www.youtube.com/watch?v=E9jyUOUuXhM&list=OLAK5uy_nGqr-CA07ZFj7766lRgraXFWJ_38G-NEo&index=2
https://www.youtube.com/watch?v=NdIoDJbMC5o&list=OLAK5uy_nGqr-CA07ZFj7766lRgraXFWJ_38G-NEo&index=11
https://youtu.be/LSZ8nUFOc5E?si=dNkCf5AOaXRJ_1JR
Hola. ¿Sabeis si la edición Deluxe de Godzilla 1.0 de Sato es limitada? Muchas gracias
No, es otra edición como la que salio el pasado Noviembre.Cita:
Iniciado por mizoozu
Lo que si puede ser limitado es el vinilo
https://arksquare.net/detail.php?cdno=RBCP-3547
Muchas gracias!
Qué maravilla que es la banda sonora de Alien 3
Saludos
Alberto Iglesias, La habitación de al lado:
http://youtu.be/jxm4IwRosHQ?list=OLAK5uy_kxKvMW53mTi_g6BR5HYDYwhBX _g5Wxiyg
Saludos
25 de Octubre
https://images4.imagebam.com/d2/f4/6a/MEWP5YV_o.jpg
Qué maravilla. Además, hacía falta en su momento para recordar que el Patrick Doyle de toda la vida seguía ahí.Cita:
Iniciado por DIEZ MIL
Bendito Shazam :cuniao
https://www.youtube.com/watch?v=iZcU6sWuGsA
(Erase una vez 4x11)
Que también...
https://www.youtube.com/watch?v=RkoQlQMEsmM
Finalmente, el score de Beetlejuice Beetlejuice, saldra el proximo viernes.
La portada es la misma que Elfman tiene en su web
https://images.squarespace-cdn.com/c...pg?format=500w
A ver, invoco a los poderes supremos para que me expliquen porque se dice que Bitelchus Bitelchus de Elfman es fallido e incluso un mal score.
Segun Conrado, Elfman habia perdido el toque, ¿estamos locos?, es quizas el score mas Elfman desde hacia mucho tiempo, por Dios bendito, trememendamente adictivo, con su habitual manejo de escritura gotica, que va desde lo grotesco a lo caricaturesco, tremendamente visceral en algun pasaje, a ver, que alguien me explique porque a Elfman de repente, se le acusa de haber perdido el toque o de estar desinteresado por la musica cinematografica, porque vamos, no lo entiendo.
¿Esto es quejarse por quejarse?, ¿para recriminar un score de una secuela tardia?, ¿montarse otra vez en el carro de que la musica actual es basura?, porque es que no lo entiendo.
https://www.youtube.com/watch?v=5AY3F8seWnM&list=PLBKadB95sF47Dfn4aV34BONq pDLAMIXaP&index=18
https://www.youtube.com/watch?v=wyHWeluzlFY&list=PLBKadB95sF47Dfn4aV34BONq pDLAMIXaP&index=21
https://www.youtube.com/watch?v=_W-59lQWs0w&list=PLBKadB95sF47Dfn4aV34BONqpDLAMIXaP&i ndex=25
https://www.youtube.com/watch?v=7QpqbUKejZc&list=PLBKadB95sF47Dfn4aV34BONq pDLAMIXaP&index=30
Cita:
Iniciado por PrimeCallahan
Saldrá en CD y vinilo a principios del año que viene.
Hoy me llegó este cd con música de una de mis bandas sonoras favoritas.
https://scontent-mad2-1.xx.fbcdn.net...KQ&oe=6725A62E
Yo lo tengo pedido por Amazon y la fecha de envío es dentro de bastante. Espero que sea porque ahora mismo no les ha llegado todavía los discos.Cita:
Iniciado por 3-D
Saludos
Alien 3 es siempre bien.
Ahora, para este viernes
https://images4.imagebam.com/7b/3a/de/MEX0SV6_o.jpg
https://images4.imagebam.com/fd/ae/3b/MEX0SV5_o.jpg
Prime ,¿has visto el score de jazz (si, jazz), de Jeff Beal para El Gabinete del Doctor Caligari?
A mí me parece maravilloso, aunque entiendo que pueda chocar al principio.
https://www.youtube.com/watch?v=hTOoHdLOqUQ
https://www.youtube.com/watch?v=6D1DXRB9W8c
Sencillamente, muy curioso (y lo dice alguien que no es apasionado del jazz), el versionar la musica de esta manera, se acerca a una mezcla etnre cine noir con gotico, cuanto menos curioso
Fuertecito lo de LLL...
Voy a tener que pedir un préstamo. :bigcry
https://i.postimg.cc/59p4vhpK/20241101-194134.jpg
https://i.postimg.cc/pL5Rwpv3/20241101-194156.jpg
https://i.postimg.cc/Twfx50bX/20241101-194201.jpg
Me gusta que hayan introducido las piezas de Young en la version expandida. :abrazo
¡Ay la madre que los parió!
¡Lo han hecho!
¡El Padrino II!
"Music By John Williams" es un documental inmenso, merecedor de al menos nominacion al Oscar en los proximos premios de la Academia. Supone un gran homenaje y carta de amor a unos de los artistas mas importantes del siglo XX y XXI en todo el mundo. No somos conscientes aun de lo importante que es que se haya podido realizar aun cuando el maestro sigue vivo y poder disfrutar de sus confesiones y vivencias. Sus cerca de 110 minutos se quedan muy cortos, hubiera sido ya perfecto si hubieran dedicado tan solo unos minutos mas a ciertos trabajos menos populares y mas desconocidos ( Eastwick, the River, Heartbeeps... ) y un poco al fenomeno fan en el mundo, porque existe. Eché de menos a Hans Zimmer o Bruce Broughton entre los colaboradores invitados, eso si. Aun con todo, Obligatorio. Lo mejor que hay en Disney+ de largo.
https://scontent-mad1-1.xx.fbcdn.net...1w&oe=672CE584
A study in contrast (de hace unos cuantos años, pero sirve como referencia)
Estudio de John Williams:
https://www.jwfan.com/forums/uploads...1328483443.jpg
Estudio de Hans Zimmer:
https://variety.com/wp-content/uploa...roductions.jpg
Con razón no quería yo sumergirme en este hilo... Absolutamente adictivo. Enhorabuena y muchas gracias por vuestras aportaciones.
https://www.youtube.com/watch?v=V06IxFhBvos
https://www.musicbox-records.com/204...ed-reissue.jpg
https://www.musicbox-records.com/en/...d-reissue.html
También "Le Ruffian" de Morricone y un Philippe Sarde que tiene muy, muyyyy buena pinta.
https://www.musicbox-records.com/en/...d-reissue.html
https://www.musicbox-records.com/en/...-meaulnes.html
https://www.musicbox-records.com/204...d-meaulnes.jpg
Me hacen chiribitas los ojos con lo que acabo de descubrir :ansia:ansia:ansia:ansia:ansia
https://www.beatrecords.it/en/catalo...ersary-edition
http://www.beatrecords.it/uploaded/aK3h8wcosVkg.jpg
A soundtrack so much yearned, now finally available compete with the original RCA album program and unreleased tracks to reach the length of 66 minutes of pure Morricone western sound. A masterpiece finally available to everybody thanks to this Deluxe edition on CD in our CDX series, mastering by Claudio Fuiano and Daniel Winkler, 24 pages booklet with Averardo Ciriello cover, external hard paper tunnel with Renato Casaro cover while on the back we have a portrait of Ennio Morricone portrait drawn by Claudio Fuiano, liner notes and graphic layout by Daniele De Gemini.
A limited edition that can’t be missing from your collection.
Tracklist
1 La resa dei conti 3:04
2 Poker d’assi 1:17
3 Osservatori osservati 2:01
4 Il vizio di uccidere 2:24
5 Carillon 1:09
6 Il colpo 2:20
7 Addio colonnello 1:43
8 Per qualche dollaro in più 2:48
The film score tracks in mono
9 Per qualche dollaro in più (Orchestral theme 1) 2:12
10 Poker d’assi (Alternate version) 2:31
11 Per qualche dollaro in più (Main Titles Reprise) 0:51
12 Per qualche dollaro in più (Orchestral theme 2) 1:56
13 La resa dei conti (Reprise) 1:34
14 Per qualche dollaro in più (Orchestral theme 3) 1:58
15 Per qualche dollaro in più (Main Titles Reprise 2) 0:58
16 Per qualche dollaro in più (Orchestral theme 4) 1:16
17 La resa dei conti (Reprise 2) 1:50
18 Per qualche dollaro in più (Orchestral theme 5) 0:55
19 Per qualche dollaro in più (Orchestral theme 6) 1:41
20 Per qualche dollaro in più (Orchestral theme 7) 1:46
21 Per qualche dollaro in più (Main Titles Reprise 3) 2:30
22 Carillon (Reprise) 1:11
23 Per qualche dollaro in più (Orchestral theme 8) 3:22
24 Per qualche dollaro in più (Main Titles Reprise 4) 3:15
25 Per qualche dollaro in più (Orchestral theme 9) 4:02
26 Per qualche dollaro in più (Orchestral theme 10) 2:03
27 La resa dei conti (Reprise 3) 1:09
28 Il vizio di uccidere (Alternate Version) 2:55
29 Per qualche dollaro in più (Orchestral theme 11) 1:34
30 Per qualche dollaro in più (Orchestral theme 12) 1:10
31 Carillon (Reprise 2) 2:08
32 Per qualche dollaro in più (Orchestral theme 13) 0:59
33 La resa dei conti (Alternate version) 2:55
Music composed and orchestrated by Ennio Morricone - Orchestra conducted by Bruno Nicolai
Published by EMI Music Publishing Italia srl
Tracks 1 - 8 ? 1965 EMI Music Publishing Italia srl, under license from Universal Music Publishing Ricordi srl
Tracks 9 - 33 ? 2024 EMI Music Publishing Italia srl
I Cantori Moderni di Alessandroni choir - Edda Dell’Orso vocalism - Alessandro Alessandroni whistling - Nino Culasso trumpet
Bruno Battisti D’Amario classical and electric guitar - Franco Tamponi first violin - Salvatore Schillirò Jew’s harp - Bruno Nicolai organ
Stereomono total time 66:22
Lo esperaba .... a no mucho tardar .... pero aun así ..... IRRESISTIBLE y muy esperado, sí. Los westerns de Leone y Morricone ya tiene por fin una edición más o menos definitiva de unos años acá. Ahora falta "Érase una vez en América".
:palmas
Ostia puta (perdón). ¡Nixon es un Lord Sith!
https://www.youtube.com/watch?v=whvzwOAznsE&list=PLohYzz4btpaQbeu48Ww4Oog7 Ld1EYOcKU&index=9
Hay lío y polémica servida con la reedición del mismo programa de hace tantos años de las Hermanas de Herrmann/De Palma (parece ser que las master tapes no han sobrevivido) y entran en colisión los antiguos editores con los nuevos (y es raro porque Music Box siempre ha trabajado bien).
Todo empieza con esto:
http://i.imgur.com/g8qNcNT.jpg
Y prosigue aquí por si queréis conocer al detalle los puntos de vista: https://filmscoremonthly.com/board/p...8303&archive=0
Well, for one, J. Steven Lasher owns Fifth Continent Music Classics. Also, for those unfamiliar with the name, you might know him better as John Lasher; he produced numerous albums including new recordings of THE BEST YEARS OF OUR LIVES, KING KONG, CITIZEN KANE, THE MAGNIFICENT AMBERSONS, etc. He worked closely with Herrmann during the twilight of his career AND was the producer of the 1974 release of SISTERS.]
Sounds weird that Music Box, a highly respected label with no history of doing such things, would release something they didn't have the rights for. Hopefully, they will respond to this.
Ummm... I'm pretty sure there was an issue with their Orca release, which was pulled only days after it was officially released and has never seen the light of day since.
Wait, hold up. John said he was the "exclusive copyright holder". Now he withdraws the statement saying Music Box negotiated a license with the copyright holder? Isn't he the exclusive copyright holder? I guess he isn't. LOL! What a mess.
They have a deal with (Edward R.) Pressman who own the copyright.
Music Box AND Ed Pressman probably sent him a nice letter, but he already defamed both and I think they should do something about it. As I was reading the first few posts on this thread, I said to myself, "Myself, how long until Lasher pipes up and claims he owns it?" Three posts later, there he was.
He'd friended me at some point on Facebook and sent me a few nice notes, especially when we released Alfred the Great. But then something changed and he began coming to my personal page and making really obnoxious and personal posts about me in threads that had nothing to do with film music or him or anything, really. They were for my friends and the people who follow me. I finally told him if he didn't block me immediately, I would go to Facebook about his harassment and then I'd block HIM. I gave him thirty minutes. He blocked me. Clever lad. So many people who read his comments before I deleted them wrote me and asked who this twit was making such vile comments? I told them. I think they had some fun taking him on smile
Glad Music Box is doing this and more glad that they and Pressman called out this aging punk for his defamation and lies.
Going by the sound samples on their website, it's still pretty awful.
That's because they're using Lasher's CD to start with. Mastering can't change the mix or even the basic sound - it can only smooth out levels, bring out the high, mid, and low end to a minimal extent.
Lo cierto es que han tardado muchos años en sacar una reedición. Eso podría significar algo. Y aunque una regrabación sería muy bienvenida me temo que cada vez está la cosa más peliaguda, además de que recrear las partes más crispadas de la partitura con el uso del sintetizador Moog tan de moda por entonces, siendo posible hacerlo igual que pasaría con el blaster beam, se antoja una labor algo más complicada que los Herrmann que regrabó Quartet Records.
Mal no me parece que suene aunque sin nuevos elementos descubiertos sobre los que trabajar hasta un Mattessino o un Chris Malone tendría sus limitaciones. De hecho, suena mucho mejor que el "It's Alive" que sacó FSM, otro caso parecido si bien editado por lo menos hace sus doce años ya con todo lo que la tecnología ha avanzado. Y aun así de la pirita de hierro no se puede sacar oro. Sólo sé que ya era hora de una nueva edición, que no será perfecta pero que sería mejor que no tener nada.
A ver en qué queda la cosa y si alguien está sobreactuando.
Ah, vale. Gracias por el toque, Ponyo, que se me había pasado que la pipa de la paz parece que se la han fumado.
Mejor.
De pipa de la paz nada, este señor ha metido la pata hasta el fondo haciendo acusaciones gravísimas a un sello musical de reputación impecable con la única intención de ver si podía obtener algún rédito.Cita:
Iniciado por Otto+
Su manera de recoger cable ha sido muy divertida.
Yo creo que queda claro desde los títulos iniciales, que ya usan el tema que se escucha desde el momento 02.00, que a mí siempre me ha recordado mucho a la marcha imperial del Episodio V (aquí desde el momento 1:40):Cita:
Iniciado por Branagh/Doyle
http://youtu.be/SE0meJ3Kfwg
y que formalmente en la película no podía quedar mejor acompañando todas las imágenes de archivo que ilustraban esos años turbulentos
Saludos