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Jopé :descolocao
Jóhan Jóhannsson ha muerto a los 48 años.
Un grande que se ha ido demasiado pronto. Tengo muy mal cuerpo ahora mismo. Esto es muy muy j*dido.
Su música nos quedará para siempre. Que descanse en paz.
https://www.youtube.com/watch?v=L1pnayWa4dY
http://deadline.com/2018/02/johann-j...er-1202284591/
Lo de Jóhannsson me ha dejado hecho polvo.
Llevaba unos cuantos años enganchado a él, lo conocí de hecho antes de las bandas sonoras que le han dado prestigio, con IBM User Manual y Englabörn. Creo que incluso alguna vez lo he recomendado por aquí. A él y a esta nueva ola de minimalismo con gente como Max Ritcher y Colin Stetson.
Llevo horas escuchando sus últimos discos sin parar.
Vaya pérdida la de Jóhannsson :sudor me he quedado de piedra. Le quedaba por delante una carrera enorme, y tenía un talento increíble. Descanse en paz.
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Alexandre Desplat chose to write for the movie industry so he could bring together his two passions: music and cinema.
Within a little more than twenty years, he composed the music of more than seventy feature films.
Beyond his creations for the cinema, we will discover throughout this documentary, a generous composer, whose renown does not stop to grow.
Interviews: Wes ANDERSON, Jacques AUDIARD, Gilles BOURDOS, George CLOONEY, Florent EMILIO-SIRI, Laura ENGEL, Stephen FREARS, Grant HESLOV, Dominique LEMONNIER, Roman POLANSKI...
Format: PAL
Language: French / English
Subtitles: French / English
Documentary (52 minutes)
Booklet (8 pages, text + photos – French / English)
Bonus (105 minutes)
Interviews (60 minutes)
1. George Clooney – Director-Actor / USA (4’16)
2. Gilles Bourdos – Director / France (7’20)
3. Roman Polanski – Director / France (5’32)
4. Vincent Segal – Cellist / France (8’54)
5. Wes Anderson – Director / USA (12’12)
6. Laura Engel – Agent / USA (6’03)
7. Florent Emilio-Siri – Director / France (8’47)
8. Jacques Audiard – Director / France (4’52)
9. Jeff Boudreaux – Drummer / USA ((5’)
Masterclass in Sao Paulo (Brazil) 2011 (45 minutes)
REGION FREE
Magnífico hilo!!.
Gran pérdida sin duda.Cita:
Iniciado por tonk82
Qué buena pinta que tiene esto. Gracias por el aviso.Cita:
Iniciado por Bud White
Veo que ya está en Amazon.fr : https://www.amazon.fr/gp/offer-listi...&condition=new
Gracias! Yo tampoco lo conocía.
Sabéis si es una serie o planean hacer lo mismo con otros compositores? Por eso estaría ... :ansia
Grande Christophe Beck en la BSO de las temporadas 2-3-4 y partes de la 5 y 6 de Buffy:Cita:
Iniciado por Bud White
Close Your Eyes:
https://www.youtube.com/watch?v=i7Q80e487SU
Suite from Hush, cuando Beck parece Elfman, en un episodio con momentos muy Tim Burton:
https://www.youtube.com/watch?v=H-Iuk_wb0OE&t
Sacrifice (momentazo, joder) de The Gift:
https://www.youtube.com/watch?v=C0a9b2ucnrU&t=
The Final Fight, de Robert Duncan, sonando en el último episodio con épica a mil por hora:
https://www.youtube.com/watch?v=yqiiP6NJkh4
Cita:
Iniciado por Synch
Te avisé de que iban a lanzar un boxset con música de Buffy... lo acojonante es que por presupuesto no se hizo con orquestal real, sino con samplers, añadiendole instrumentos solistas puntualmente para darle cuerpo. Aún así el resultado fue magnífico.
:abrazo
Sí que es una serie, en este enlace puedes ver el listado de títulos, muchos compositores franceses, no en vano, es una serie de documentales franceses:Cita:
Iniciado por mineapolis
https://www.musicbox-records.com/en/3_prelight-films
Hace unos años los emitieron todos, incluido el de Desplat, en Movistar+. En aquellos años estaba apuntado y los pude ver todos. Muy interesantes
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Label: La-La Land Records LLLCD 1431
Film Date: 1985
Album Date: 2018
Time: 45:13
Tracks: 25
1 Main Title / The Wedding 1:17
2 Pirate Fight 2:16
3 Parting 1:14
4 Omar Stabbed :37
5 Love Theme on Motorcycle :54
6 The Boat Blew Up / Arrival in Africa 1:18
7 Joan in Omar’s Palace 1:02
8 Joan’s Escape 2:07
9 Joan Runs for the Jewel 1:33
10 He’s Dead :49
11 Sufi Battle 2:08
12 Jet Chase 3:17
13 Head for the Hills 2:27
14 Nubian Village 1:36
15 The Train Takes Off 1:50
16 The Train Chase 2:08
17 Ralph and Sufis Enter Kadir :50
18 Omar’s Show 2:35
19 Hanging Over the Pit 1:07
20 Omar’s Downfall 2:16
21 Through the Flames 3:16
22 Wedding Again :23
23 When the Going Gets Tough, the Tough Get Going (End Credits) 5:43
Billy Ocean
24 Cocktail Piano 1:30
25 Radio Source :51
Unico pero? que no hayan incluido esta cancion
Noticia importante.
Se reeditan en formato CD, bluray-audio y vinilo la banda sonora completa de La Comunidad del Anillo.
http://elanillounico.com/se-reeditan...udio-y-vinilo/
La moda del vinilo llega a la Tierra Media.
Para el 16 de Febrero, Marvel Music/Hollywood Records edita el trabajo de Ludwig Göransson para Black Panther (132 musicos de orquesta, 40 coristas y percusionistas africanos), por el momento, solo digital
https://www.youtube.com/watch?time_continue=22&v=Rbr8Te-ZScc
Y para el 16 de Marzo, el ultimo trabajo de Tom Holkenborg, para la peli de Tomb Raider, editado por Sony Classical, segun otras fuentes, el 9 saldra de manera digital.
Cita:
Iniciado por mineapolis
Es una serie, ya hay varios dvd editados:
http://prelightfilms.com/portfolio/bandes-originales/
Saludos
Cita:
Iniciado por timburtonstown
Cita:
Iniciado por Tripley
Muchas gracias a los dos!! :birr2 :abrazo
Promete Göransson
https://itunes.apple.com/lk/album/bl...ore/1347129502
Film Night with the Boston Pops and John Williams, 2017-08-19:
https://www.bso.org/Medias
y abajo donde pone "Keyword" buscáis por "Film Night" y lo encontraréis (no sé cuánto durará, suelen quitar los podcasts pasados unos meses. Lástima que los canales derecho e izquierdo están intercambiados en el podcast.
Anunciada la banda sonora y los tracks de "Annihilation", la ultima película de Alex Garland. Ben Salisbury y Geoff Barrow (Ex Machina), componen la música:
http://filmmusicreporter.com/2018/02...track-details/
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Se lanzará en digital en 23 de febrero por Lakeshore Records en USA, y por Invada Records en UK y en Europa. También habrá una edición en CD y vinilo proximamente.
Aquí, uno de los temas para poder escucharlo:
https://crackmagazine.net/2018/02/be...ilation-score/
Un saludo.
Al pie del cañon... hasta el final. Un marcapasos, problemas de espalda, no se de donde saca la energía. :hail :wtf
Live Star Wars, Harry Potter and Jurassic Park orchestral screenings as Hollywood film theme legend John Williams announces first UK concert in 22 years
The 86-year-old composer will conduct one concert as part of the Royal Albert Hall's season of musical film screenings which also features Home Alone, Close Encounters
Ayer escuchando una de esas Film Night pensé lo que sería que Mr. Williams volviese a grabar "La guerra de las galaxias" con la Sinfónica de Londres, con los medios de hoy en día y en alta resolución. Además creo que iba a ser un bombazo de ventas, ¿no os parece?
En fin, soñar es (casi) gratis...
Quartet Records announces music for four classic, award-winning films
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THE SILENCE OF THE LAMBS
Expanded Original MGM Motion Picture Soundtrack
Music Composed and Conducted by Howard Shore
Album Produced by Neil S. Bulk
Mastered by Doug Schwartz
Liner notes by Jeff Bond
Limited edition of 1000 units
Quartet Records, MGM and Universal Music Group present the remastered, expanded release of the iconic score by Howard Shore (THE LORD OF THE RINGS, ED WOOD, NAKED LUNCH, EASTERN PROMISES, THE AVIATOR) for the classic thriller masterpiece THE SILENCE OF THE LAMBS.
Directed by Jonathan Demme, starring Jodie Foster, Anthony Hopkins and Scott Glenn, the film was a great success, immediately loved by critics and audiences. It won five Oscars, including Best Picture, Director, Screenplay and acting awards for Foster and Hopkins.
Howard Shore was no stranger to either the horror or thriller genre when he worked on THE SILENCE OF THE LAMBS—he had started his career working with director David Cronenberg on a series of disturbing films such as THE BROOD, SCANNERS, VIDEODROME and THE FLY. The music doesn’t sound like something from a horror movie or a thriller—it is operatic, dark, and very beautiful.
MCA released a generous 50-minute album in 1991, but some key cues were omitted. We are now proud to present this expanded edition—including the complete score plus alternates—produced by Neil S. Bulk, supervised by Mr. Shore himself, and mastered by Doug Schwartz from the original two-track stereo session tapes, courtesy of MGM. Featuring a performance by the Munich Symphony Orchestra under the baton of the composer, this special release is limited to 1000 units and features exclusive, in-depth liner notes by writer Jeff Bond.
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PLATOON
Expanded Original MGM Motion Picture Soundtrack
Music Composed and Conducted by Georges Delerue
Album Produced by Neil S. Bulk
Mastered by Doug Schwartz
Liner notes by Tim Greiving
Limited edition of 1000 units
Quartet Records and MGM present the expanded, ultimate CD release of the precious, deeply emotional score by Georges Delerue (DAY FOR NIGHT; WOMEN IN LOVE; MAN, WOMAN AND CHILD; AGNES OF GOD) for Oliver Stone’s iconic Vietnam War movie PLATOON.
This raw but sensitive vision of war and innocence was awarded four Oscars in 1987, including Best Picture and Best Director, and was the springboard for many young actors who were just beginning their careers and became some of the brightest stars of their generation: Tom Berenger, Willem Dafoe, Charlie Sheen, Johnny Depp and Forest Whitaker, among others.
Director and composer had already worked together on the excellent SALVADOR one year before, and here they repeated their collaboration. Stone wanted from Delerue a bittersweet sound that would contrast with the terrible images of death and chaos; he had used the famous "Adagio for Strings" by Samuel Barber as a temp-track. Delerue wrote a radical, beautiful score modelled on and inspired by the Barber, but in the end, Stone decided not to use a large part of it, using instead the Barber, adapted and conducted by Delerue.
The album released in 1987 was a compilation of songs from the period, with a couple of short cues by Delerue and his adaptation of the “Adagio” that included sound effects and dialogue. Some years later, the Prometheus label released a CD containing the short SALVADOR score and a 25-minute selection from PLATOON. Now we are proud to present Delerue’s score, recorded with the Vancouver Symphony Orchestra, in its entirety, including unused cues, alternates and album versions. Produced by Neil S. Bulk and mastered by Doug Schwartz from the original two-track stereo session tapes (courtesy of MGM), this special release is limited to 1000 units and features exclusive, in-depth liner notes by writer Tim Greiving, who discusses both film and score and incorporates several interesting quotes from Oliver Stone.
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AMARCORD (2-CD)
Expanded Original Motion Picture Soundtrack
Music Composed by Nino Rota
Album Produced by Jose M. Benitez and Claudio Fuiano
Mastered by Claudio Fuiano
DDP Mastering and Restoration: Chris Malone
Liner notes by Gergely Hubai
Limited edition of 2000 units
Quartet Records and Gruppo Sugar present a mammoth 2-CD set presenting for the first time ever the famous original score by Nino Rota (THE LEOPARD, LA DOLCE VITA, OTTO E MEZZO, ROMEO & JULIET) for Federico Fellini’s masterpiece AMARCORD, awarded the Oscar for Best Foreign Film in 1973, and also nominated for Best Director and Best Original Screenplay.
Often hailed as Federico Fellini’s most personal movie despite the director’s vehement denial, AMARCORD is arguably one of his most beloved “confessions.” Telling the story of life in Rimini from winter to autumn, AMARCORD presents Fellini’s own recollections of his upbringing in an Italian town. The episodic story focuses on a mischievous boy named Titta who, in typical Fellini fashion, lusts after big-breasted women, tries to woo the town's most beautiful girl and find his place in Fascist Italy—all accompanied by an infectious Nino Rota score.
"Almost all of AMARCORD is a macabre dance against a cheerful background," said a contemporary review of the film, and Nino Rota is in peak form providing the music for this mesmerizing dance. By mining the rich musical world of 1920s and 1930s jazz and big band music, Rota fashions a creative, engaging score that is nostalgic for an era that never really existed—it only flourishes in the director's memories of his childhood. Almost every film score lover is familiar with the wistful main theme, and this is the first chance to hear exactly how much music Rota actually provided for the film.
A 30-minute LP of the soundtrack was released on CAM in 1973 and reissued many times on CD by the same company. For this premiere complete edition, we have included the entire 50-minute score on CD 1. On the second disc we have included more than 30 minutes of previously unreleased music with lots of alternates and music written by Rota that was not used in the final print of the movie, as well as a remastered version of the original album. The entire project has been produced by Claudio Fuiano and Jose M. Benitez, with painstaking DDP mastering by Chris Malone from the first-generation stereo master tapes courtesy of Gruppo Sugar.
The package includes a richly illustrated 16-page booklet with liner notes by Gergely Hubai, who discusses the making of the film and the score alongside selected images from the picture.
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LOVE STORY
Expanded Original Motion Picture Soundtrack
Music Composed by Francis Lai
Album Produced, Restored and Mastered by Chris Malone
Liner notes by Jeff Bond
Limited edition of 1000 units
Quartet Records, Paramount Pictures and Universal Music Group present the remastered, expanded release of the iconic score by the great Francis Lai (A MAN AND A WOMAN, LIFE FOR LIFE, HOUSE OF CARDS, DARK EYES, BILITIS) for the unforgettable 1970 romantic classic LOVE STORY, directed by Arthur Hiller and starring Ryan O’Neal, Ali McGraw, Ray Milland and John Marley.
The film was nominated for six Academy Awards, including Best Picture, Director, Screenplay and O’Neal and McGraw’s performances, but won only in the Best Original Score category (the only Oscar ever won by the prolific French composer).
The choice of Francis Lai was a personal obsession of producer Robert Evans, who pursued the composer until he accepted, despite Lai initially refusing to compose the score due to other commitments. But Evans' intuition was spot-on. Today, Lai’s LOVE STORY score remains one of the most memorable and richly lyrical works in the canon of romantic film scores. The main theme remains one of the most famous melodies in film history, covered countess times—including an especially memorable arrangement by Henry Mancini for RCA.
The original soundtrack LP of LOVE STORY has been a tremendous success over the years, reissued repeatedly, including the CD edition that first appeared on the MCA label in the early ’90s. However, the sound quality of the CD and its reissues was not very good. For this release we have returned to the original master tapes that have been restored, corrected and mastered by Chris Malone, and the resulting sound quality is very much improved. Despite the high-profile reputation of this score, the film does not really contain much music—just over twenty minutes. The album included more music than the film, although some versions were edited, others re-recorded and expanded for the album, with different, lighter arrangements. So we are glad to present the original album plus the original score as it’s heard in the film, restored by Chris Malone from mono elements courtesy of Paramount Pictures (mostly stems). A couple of alternates of the memorable cue “Snow Frolic” have also been included. This special release is limited to 1000 units and features exclusive, in-depth liner notes by writer Jeff Bond.
These titles are on pre-order, the CDs will be available from 02/23. For more info, order and hear audio samples, please visit www.quartetrecords.com