Tema: Bandas sonoras

Iniciado por Ringo_rang

Nominaciones a los premios IFMCA



SCORE OF THE YEAR

AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
HERE, music by Alan Silvestri
KENSUKE’S KINGDOM, music by Stuart Hancock
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
THE WILD ROBOT, music by Kris Bowers

COMPOSER OF THE YEAR

VOLKER BERTELMANN
KRIS BOWERS
ALEXANDRE DESPLAT
BEAR MCCREARY
JOHN POWELL

BREAKTHROUGH COMPOSER OF THE YEAR

DANIEL BLUMBERG
STEPHEN GALLAGHER
MICK GIACCHINO
LAURI PORRA
WILBERT ROGET II

COMPOSITION OF THE YEAR

“Battle for Eregion” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
“End Credits” from HERE, music by Alan Silvestri
“Horizon Montage Begins/Closing Survey” from HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
“I Could Use A Boost” from THE WILD ROBOT, music by Kris Bowers
“The Sun Yet Shines” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary

BEST ORIGINAL SCORE FOR A DRAMA FILM

THE BRUTALIST, music by Daniel Blumberg
CONCLAVE, music by Volker Bertelmann
HERE, music by Alan Silvestri
HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
YOUNG WOMAN AND THE SEA, music by Amelia Warner

BEST ORIGINAL SCORE FOR A COMEDY FILM

THE 4:30 MOVIE, music by Bear McCreary
BEETLEJUICE BEETLEJUICE, music by Danny Elfman
FLY ME TO THE MOON, music by Daniel Pemberton
IF, music by Michael Giacchino
PADDINGTON IN PERU, music by Dario Marianelli

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

ARGYLLE, music by Lorne Balfe
GLADIATOR II, music by Harry Gregson-Williams
THE KILLER, music by Marco Beltrami
THE MINISTRY OF UNGENTLEMANLY WARFARE, music by Chris Benstead
TWISTERS, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM[/b]

DUNE: PART TWO, music by Hans Zimmer
GHOSTBUSTERS: FROZEN EMPIRE, music by Dario Marianelli
KINGDOM OF THE PLANET OF THE APES, music by John Paesano
MEGALOPOLIS, music by Osvaldo Golijov
WICKED, music by John Powell and Stephen Schwartz

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

ABIGAIL, music by Brian Tyler
ALIEN: ROMULUS, music by Benjamin Wallfisch
THE FIRST OMEN, music by Mark Korven
NOSFERATU, music by Robin Carolan
THE WATCHERS, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR AN ANIMATED FILM

DRAGONKEEPER, music by Arturo Cardelús
KENSUKE’S KINGDOM, music by Stuart Hancock
THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM, music by Stephen Gallagher
THAT CHRISTMAS, music by John Powell
THE WILD ROBOT, music by Kris Bowers

BEST ORIGINAL SCORE FOR A DOCUMENTARY

CHURCHILL AT WAR, music by Jeff Danna
ENDURANCE, music by Daniel Pemberton
OUR LIVING WORLD, music by Pinar Toprak
SUPER/MAN: THE CHRISTOPHER REEVE STORY, music by Ilan Eshkeri
WHY DINOSAURS?, music by Raphaël Dargent

BEST ORIGINAL SCORE FOR TELEVISION

AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
COBRA KAI, music by Leo Birenberg and Zach Robinson
THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
THE PENGUIN, music by Mick Giacchino
WE WERE THE LUCKY ONES, music by Rachel Portman and Jon Ehrlich

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

FINAL FANTASY VII REBIRTH, music by Masashi Hamauzu and Mitsuto Suzuki
INDIANA JONES AND THE GREAT CIRCLE, music by Gordy Haab
NORDIC ASHES: SURVIVORS OF RAGNAROK, music by Rubén Melià
QUIDDITCH CHAMPIONS, music by Cris Velasco
STAR WARS: OUTLAWS, music by Wilbert Roget II, Jon Everist, and Kazuma Jinnouchi

BEST ORIGINAL SCORE FOR A SHORT FILM

AN ALMOST CHRISTMAS STORY, music by Daniel Hart
CARMEN Y LA CUCHARA DE PALO [CARMEN AND THE WOODEN SPOON], music by Iván Palomares
GO FOR GRANDMA, music by Fabrizio Mancinelli
THE ICE CREAM MAN, music by Nami Melumad
THE ONLY GIRL IN THE ORCHESTRA, music by Laura Karpman

BEST ARCHIVAL RELEASE

BACKDRAFT, music by Hans Zimmer; album produced by Stéphane Humez; liner notes by Kaya Savas; album art direction by Kay Marshall (Intrada)
DINOSAUR, music by James Newton Howard; album produced by Douglass Fake, James Newton Howard, and Jim Weidman; liner notes by Tim Grieving; album art direction by Kay Marshall, John Blas, and Karen De Jong (Intrada)
ELLIOT GOLDENTHAL: MUSIC FOR FILM, music by Elliot Goldenthal; the Brussels Philharmonic Orchestra cond. Dirk Brossé; album produced by Thomas Van Parys for Film Fest Gent; liner notes by Elliot Goldenthal and Thomas Van Parys; album art direction by Stuart Ford (WSA/Silva)
JERRY GOLDSMITH AT THE GENERAL ELECTRIC THEATER, music by Jerry Goldsmith; the City of Prague Philharmonic Orchestra cond. Leigh Phillips; album produced by Leigh Phillips; liner notes by Yavar Moradi; album art direction by Kay Marshall, Stéphane Coëdel, and Joe Sikoryak (Intrada)
MOONRAKER, music by John Barry; album produced by Neil S. Bulk; liner notes by Jon Burlingame; album art direction by Dan Goldwasser (La-La Land)
THE OLD MAN AND THE SEA, music by Dimitri Tiomkin; the Royal Scottish National Orchestra cond. Richard Kaufman; album produced by Patrick Russ; liner notes by Frank K. DeWald, Warren M. Sherk, and Patrick Russ; album art direction by Kay Marshall and Stéphane Coëdel (Intrada)
OUT OF AFRICA, music by John Barry; album produced by Douglass Fake; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)
THE PINK PANTHER, music by Henry Mancini; album produced by Chris Malone; liner notes by Jeff Bond and Chris Malone; album art direction by Nacho B. Govantes (Quartet)
THE SOUND OF LALO SCHIFRIN, music by Lalo Schifrin; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Gilles Guerlet and Jérôme Witz (Universal Music France-Écoutez Le Cinéma!)
THE SUGARLAND EXPRESS, music by John Williams; album produced by John Williams and Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR

INTRADA RECORDS, Douglass Fake, Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
MOVIESCORE MEDIA, Mikael Carlsson
MUSIC BOX RECORDS, Cyril Durand-Roger, Laurent Lafarge
QUARTET RECORDS, Jose M. Benitez

https://filmmusiccritics.org/2025/02...inations-2024/

Ganadores de los premios IFMCA 2024



SCORE OF THE YEAR
• THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary

COMPOSER OF THE YEAR
• BEAR MCCREARY

BREAKTHROUGH COMPOSER OF THE YEAR
• DANIEL BLUMBERG

COMPOSITION OF THE YEAR
• “END CREDITS” from HERE, music by Alan Silvestri

BEST ORIGINAL SCORE FOR A DRAMA FILM
• HERE, music by Alan Silvestri

BEST ORIGINAL SCORE FOR A COMEDY FILM
• FLY ME TO THE MOON, music by Daniel Pemberton

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
• THE MINISTRY OF UNGENTLEMANLY WARFARE, music by Chris Benstead

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
• WICKED, music by John Powell and Stephen Schwartz

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
• NOSFERATU, music by Robin Carolan

BEST ORIGINAL SCORE FOR AN ANIMATED FILM
• THE WILD ROBOT, music by Kris Bowers

BEST ORIGINAL SCORE FOR A DOCUMENTARY
• WHY DINOSAURS?, music by Raphaël Dargent

BEST ORIGINAL SCORE FOR TELEVISION
• THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• INDIANA JONES AND THE GREAT CIRCLE, music by Gordy Haab

BEST ORIGINAL SCORE FOR A SHORT FILM
• GO FOR GRANDMA, music by Fabrizio Mancinelli

BEST ARCHIVAL RELEASE
• ELLIOT GOLDENTHAL: MUSIC FOR FILM, music by Elliot Goldenthal; the Brussels Philharmonic Orchestra cond. Dirk Brossé; album produced by Thomas Van Parys for Film Fest Gent; liner notes by Elliot Goldenthal and Thomas Van Parys; album art direction by Stuart Ford (WSA/Silva)

FILM MUSIC RECORD LABEL OF THE YEAR
• LA-LA LAND RECORDS, MV Gerhard, Matt Verboys

ROBERTO ASCHIERI SPECIAL AWARD FOR CONTRIBUTION TO FILM MUSIC
• JOHN MORGAN, WILLIAM STROMBERG, and ANNA BONN

KYLE RENICK SPECIAL AWARD
• MUSIC BY JOHN WILLIAMS, directed by Laurent Bouzereau

https://filmmusiccritics.org/2025/02...-winners-2024/

Para quienes hayamos estado en el Hans Zimmer Live no hay mucha gran novedad pero en salas es una experiencia cojonuda con añadidos de ciertos lugares en Dubai. 2 horas y media de gozo (sobraba el momento Dark Phoenix-Dunkirk que podrian haber incluido mejor da Vinci Code o sobre todo Last samurai que son mas importantes y han estado en el programa de la gira) con entrevistas breves pero curiosas. Esperando el UHD 4k que seguro que saldrá por ahi subtitulado.

https://lalalandrecords.com/gladiato...tion-3-cd-set/