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Re: Bandas sonoras
Un placer
Durando media hora pelada con los bonus tracks inclusive, dudo que sea reeditada en un futuro en solitario en CD. Algún "compañero de viaje" volverá a tener, ya sea del propio Goldsmith o de otro autor.
Re: Bandas sonoras
Iniciado por Otto+
Un placer
Durando media hora pelada con los bonus tracks inclusive, dudo que sea reeditada en un futuro en solitario en CD. Algún "compañero de viaje" volverá a tener, ya sea del propio Goldsmith o de otro autor.
Ahhh... los viejos y añorados (no) tiempos de Varese....
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Por otro lado, Nocturnal Animals se ha editado en CD y dura 33 minutitos...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Pero qué 33 minutitos
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Bandas sonoras
Una joya. Una pasada. Una bestialidad romántica que casa mucho con mi carácter cómo podréis imaginar. Para mi, sin desmerecer otras excelentes composiciones, lo mejor del año.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Totalmente de acuerdo. Además creo que en el film toda la música queda perfecta, acompañando y complementado siempre a la imagen y nunca apareciendo cuadno no es necesaria.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Bandas sonoras
Ahora mismo estoy escuchando Animales nocturnos y es que creo que ningún tema tiene desperdicio. El crescendo de Off de road es, al contrario que el bello tema principal, muy perturbador (pienso que casi casi al nivel del Johansson de Arrival).
Y además, hay momentos donde el polaco juega a ser Glass(inicio de Revenge) o el Herrmann de Vertigo
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Bandas sonoras
Y mira que por ejemplo un veterano con lustre cómo JNH se ha lucido este año con la de fantastic beasts, Arrival de Johansson e incluso el Dr Strange de Giacchino (por nombrar otros dos films "A+" , pero es que esto es una barbaridad.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
No puedo estar más de acuerdo. Otro temazo, el Table for two, evocador y triste, refleja esaSpoiler:
De cara a los Oscars, Arrival está fuera de combate, una pena. La la land, Jackie o Moonlight están pegando fuerte, pero espero ver a Korzeniowski, de una vez, nominado. Al igual que los otros tres compositores, el también sería novel en eso de estar nominado.
Saludos
Última edición por Tripley; 18/12/2016 a las 02:23
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Bandas sonoras
Su Romeo y Julieta también es una maravilla... y en series, Penny Dreadful, claro.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Es que todo lo que hace Korzeniowski (incluso para películas dirigidas por Madonna) es una maravilla
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Bandas sonoras
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Creo que nadie lo ha comentado pero ya está disponible la banda sonora de Rogue One en Spotify. A mí en una primera escucha me ha dejado frío, pero ya me pasó con la última de Star Wars y en aquella me equivoqué. Aunque en algunos puntos de la banda sonora parece que va a empezar a sonar el tema de Star Trek (el de la serie original).
"This is the West, sir. When the legend becomes fact, print the legend." (The Man Who Shot Liberty Valance)
Re: Bandas sonoras
Re: Bandas sonoras
Para mí lo mejor está al final (las 5 últimas canciones), donde se incluyen los dos magnificos cortes que ha puesto PrimeCallahan
Your Father Would be Proud
Hope
Jyn Erso & Hope Suite
The Imperial Suite
Guardians of the Will Suite
Todas juntitas en un magnífico final
Kino et al. mi podcast de cine absolutamente impresentable: https://anchor.fm/kinoetal
Mank review (gesto de disgusto), Let them All Talk review (Soderbergh te odia), Soul review
Re: Bandas sonoras
Giacchino de garrafón
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
También está disponible en Spotify Assassins Creed de Jed Kurzel. Así se hace una partitura atmosférica con clase y elegancia. Qué gustazo. Macbeth ya fue tremenda. Doy gracias al cielo de que esto no cayese en manos de remote control.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Pues misterio resuelto, muchas gracias Branagh, como siempre tan diligente
No tengo el BD, de cabeza a por él, porque la película me gusta mucho. Y por cierto, muy curioso lo de esta película de Ridley; a Legend se la lapidó desde su estreno, pero se ha convertido en un film de culto y bien ganado con los años en mi opinión.
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
Re: Bandas sonoras
Big, bold, and romantic James Newton Howard
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
De noviembre de este año...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Hilo equivocado.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
Me quedo tambien con estos dos
El ultimo es puro MOH
Re: Bandas sonoras
Voy a poner mi favorita de Giacchino...
https://youtu.be/tpXgEtHsiEA
Lo importante es que hablen de ti, aunque sea bien.
DALÍ
Re: Bandas sonoras
Hasta ayer no me llegó el "collection" de JP. De juzgado de guardia lo de correos y no solo por lo que ha tardado estando diez días sin moverse de Madrid. Sino porque además en la web de seguimiento actualizaron como que a ellos les llegó el día 16. Se creen que la gente es imbécil y no mira el estado de envío en las webs de USPS o Stamp.
Total...pasado el cabreo solo me quedó esperar TODO el día (tenía visita en casa) al momento en que pudiera probarlo. Eso fue a las 20:00. Como solo iba a tener una hora para oírlo tuve que ser visceral a la hora de elegir con que disco me deleitaba.
A ver si adivináis cual fue.
PS. La presentación y el libreto...ya solo eso vale el precio a desembolsar. De la calidad del sonido ya para que hablar. Creo que sé cuales van a ser mis villancicos personales este 2016/17.
Última edición por Nyarla_thotep; 21/12/2016 a las 11:57
Re: Bandas sonoras
Bah!
De perdidos al río. Os dejo por aquí la foto que me marqué ayer en mi facebook.
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