Un placer
Durando media hora pelada con los bonus tracks inclusive, dudo que sea reeditada en un futuro en solitario en CD. Algún "compañero de viaje" volverá a tener, ya sea del propio Goldsmith o de otro autor.
Un placer
Durando media hora pelada con los bonus tracks inclusive, dudo que sea reeditada en un futuro en solitario en CD. Algún "compañero de viaje" volverá a tener, ya sea del propio Goldsmith o de otro autor.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Por otro lado, Nocturnal Animals se ha editado en CD y dura 33 minutitos...
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Una joya. Una pasada. Una bestialidad romántica que casa mucho con mi carácter cómo podréis imaginar. Para mi, sin desmerecer otras excelentes composiciones, lo mejor del año.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ahora mismo estoy escuchando Animales nocturnos y es que creo que ningún tema tiene desperdicio. El crescendo de Off de road es, al contrario que el bello tema principal, muy perturbador (pienso que casi casi al nivel del Johansson de Arrival).
Y además, hay momentos donde el polaco juega a ser Glass(inicio de Revenge) o el Herrmann de Vertigo
(inicio de The field).
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Y mira que por ejemplo un veterano con lustre cómo JNH se ha lucido este año con la de fantastic beasts, Arrival de Johansson e incluso el Dr Strange de Giacchino (por nombrar otros dos films "A+" , pero es que esto es una barbaridad.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
No puedo estar más de acuerdo. Otro temazo, el Table for two, evocador y triste, refleja esaSpoiler:
De cara a los Oscars, Arrival está fuera de combate, una pena. La la land, Jackie o Moonlight están pegando fuerte, pero espero ver a Korzeniowski, de una vez, nominado. Al igual que los otros tres compositores, el también sería novel en eso de estar nominado.
Saludos
Última edición por Tripley; 18/12/2016 a las 01:23
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Su Romeo y Julieta también es una maravilla... y en series, Penny Dreadful, claro.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Creo que nadie lo ha comentado pero ya está disponible la banda sonora de Rogue One en Spotify. A mí en una primera escucha me ha dejado frío, pero ya me pasó con la última de Star Wars y en aquella me equivoqué. Aunque en algunos puntos de la banda sonora parece que va a empezar a sonar el tema de Star Trek (el de la serie original).
"This is the West, sir. When the legend becomes fact, print the legend." (The Man Who Shot Liberty Valance)
Para mí lo mejor está al final (las 5 últimas canciones), donde se incluyen los dos magnificos cortes que ha puesto PrimeCallahan
Your Father Would be Proud
Hope
Jyn Erso & Hope Suite
The Imperial Suite
Guardians of the Will Suite
Todas juntitas en un magnífico final
Kino et al. mi podcast de cine absolutamente impresentable: https://anchor.fm/kinoetal
Mank review (gesto de disgusto), Let them All Talk review (Soderbergh te odia), Soul review
Giacchino de garrafón![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
También está disponible en Spotify Assassins Creed de Jed Kurzel. Así se hace una partitura atmosférica con clase y elegancia. Qué gustazo. Macbeth ya fue tremenda. Doy gracias al cielo de que esto no cayese en manos de remote control.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pues misterio resuelto, muchas gracias Branagh, como siempre tan diligente
No tengo el BD, de cabeza a por él, porque la película me gusta mucho. Y por cierto, muy curioso lo de esta película de Ridley; a Legend se la lapidó desde su estreno, pero se ha convertido en un film de culto y bien ganado con los años en mi opinión.
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
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Big, bold, and romantic James Newton Howard
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
De noviembre de este año...
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Hilo equivocado.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Voy a poner mi favorita de Giacchino...
https://youtu.be/tpXgEtHsiEA
Lo importante es que hablen de ti, aunque sea bien.
DALÍ
Hasta ayer no me llegó el "collection" de JP. De juzgado de guardia lo de correos y no solo por lo que ha tardado estando diez días sin moverse de Madrid. Sino porque además en la web de seguimiento actualizaron como que a ellos les llegó el día 16. Se creen que la gente es imbécil y no mira el estado de envío en las webs de USPS o Stamp.
Total...pasado el cabreo solo me quedó esperar TODO el día (tenía visita en casa) al momento en que pudiera probarlo. Eso fue a las 20:00. Como solo iba a tener una hora para oírlo tuve que ser visceral a la hora de elegir con que disco me deleitaba.
A ver si adivináis cual fue.
PS. La presentación y el libreto...ya solo eso vale el precio a desembolsar. De la calidad del sonido ya para que hablar. Creo que sé cuales van a ser mis villancicos personales este 2016/17.![]()
Última edición por Nyarla_thotep; 21/12/2016 a las 10:57
Bah!
De perdidos al río. Os dejo por aquí la foto que me marqué ayer en mi facebook.
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